Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
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Transmedia
Persian Hippolyte: Hybrid Performance Cultures, Hybrid Identity, And Hybrid Technology
In 2013, Goosan Artistic Group, an Iranian group of performance artists, created a promenade...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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Cybernetics Vs. Decartes
The Mind of non-Cartesian Theater To contextualize my work HUMAN SIMULATION, I organized a...
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Transformation In Contemporary Indian Theater: Abhilash Pillai’s “Helen”
In recent times in India, we have seen the actor’s presence eclipsed by technology in productions...
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Ellen Pearlman: Brain Opera, Telematic Performance, And Decoding Dreams
Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...
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Interview With Clara Fernandez-Vara: “Your Spectator Is Also Your Player”
Clara Fernandez-Vara is an Associate Arts Professor at New York University. Her background is in...
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How To Breathe Soul Into A Machine! A Plea For More Digital Tenderness
The digital age! (…) Can we turn it off? Real people want to see real people! The voices from...
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“Dysconnect” – Towards A Digital Political Dramaturgy: Re-Humanizing Agency In The Age Of Algorithms
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
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The Futility Of Mediated Communication: “Together” At Camden Underground
Exploring the common phenomenon of livestream communication in modern society, the performance...
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Russian Theater Companies Are Using Augmented Reality To Draw In The Crowds
Want to catch a glimpse of a play before splashing the cash on a ticket? Now you can…in 3D...
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Making Art Through Technology
“YES! Wow! I think we are finally entering the twenty-first century!” the troll roared, stomping...
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Stage Your City: Redundancy Vs Prototyping
This is a transcription of the project Stage Your City presentation during the Theatre Digital...
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“Białoszewski/Ginsberg VR” At Performing Garage
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
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Doing Is Saying
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
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The Relationship Between Body And Screen In Studio Azzurro’s Performances Since The 1980s Until Today
Studio Azzurro is an Italian group that has been working with different performative languages...
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Aiming The Guts
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
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Empty Theaters And False Hopes: The Reality Of VR Film
VR film buffs are still trying to crack the code of blockbuster flicks, even now that the hype and...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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