“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
Read MorePosted by Alvina Ruprecht | 21st Jul 2022 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
Read MorePosted by Jonathan Kalb | 20th Jul 2022 | Musical Theatre, New York, Review, Theatre and Politics, United States of America
On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....
Read MorePosted by Molly Grogan | 10th Jul 2022 | China, Hong Kong, News, Producing, Theatre and Politics
Hong Kong’s branding campaign as “Asia’s World City” sings the praises of its liveability,...
Read MorePosted by Praveen Sudevan | 30th Jun 2022 | India, Playwriting, Review, Theatre and Politics
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MorePosted by Sheila Chisholm | 24th Jun 2022 | Review, South Africa, Theatre and Politics
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set...
Read MorePosted by Ivanka Apostolova Baskar | 21st Jun 2022 | Dramaturgy, France, Interview, Theatre and Politics, United Kingdom
There is always a cultural gap between scholars and artists, each group being suspicious of the...
Read MorePosted by Philippa Wehle | 1st Jun 2022 | Musical Theatre, New York, Review, South Korea, Theatre and Politics, United States of America
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MorePosted by Raluca Rădulescu | 18th May 2022 | Interview, Playwriting, Theatre and Politics, Ukraine
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
Read MorePosted by Yana Meerzon | 13th May 2022 | Interview, Management, Russia, Theatre and Politics
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
Read MorePosted by Yana Meerzon | 12th May 2022 | Interview, Management, Russia, Theatre and Politics
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read MorePosted by May Selim | 10th May 2022 | Egypt, Interview, Playwriting, Theatre and Politics
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
Read MorePosted by Borisav Matić | 8th May 2022 | Adaptation, Review, Serbia, Theatre and Politics, Theatre for Young Audiences
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
Read MorePosted by Emiliia Dementsova | 7th May 2022 | Adaptation, Review, Russia, Theatre and Politics
In a country at war, theatres continue to work… “(They) are so simple to offer war...
Read MorePosted by Florida Kastrati | 6th May 2022 | Devised Theatre, Kosovo, Review, Switzerland, Theatre and Politics
Teatri ODA, Prishtina, 17th March 2022 Two actresses, both speaking in German, start talking about...
Read MorePosted by Ananda Lal | 5th May 2022 | Essay, India, Playwriting, Theatre and Politics
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
Read MorePosted by Lucija Klarik | 4th May 2022 | Adaptation, Croatia, Review, Theatre and Politics, Theatre and Religion
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
Read MorePosted by Julian Meyrick | 3rd May 2022 | Australia, Playwriting, Review, Theatre and Politics
Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...
Read MorePosted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Although the current government has blundered through both Brexit and the pandemic, and is now...
Read MorePosted by Ian Kiyingi Muddu | 29th Apr 2022 | Playwriting, Review, Theatre and Politics, Zimbabwe
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
Read MorePosted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
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