Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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Theatre and Dance
Contemporary Dance in Belarus in the Early 21st Century: “Waiting for Godot”
During the last decade, two interconnected processes of legalization and professionalization have...
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Taiwan’s National Taichung Theater Celebrates Its Soft Launch through Epic, Ritualistic and Environmental Performances
As the darkness creeps in, the already crowded plaza in front of the National Taichung Theater...
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The Union of Sicilian Puppetry and Contemporary Dance: Virgilio Sieni and Mimmo Cuticchio in Palermo
Virgilio Sieni is one of the most important Italian dancers and choreographers, and Mimmo...
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Open Online Theatre Invites Its Audience to “Walk Into Space”
IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...
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For The New Year: The Overview of Polish Dance Scene
The end of the year is an excellent opportunity for all kinds of summaries and predictions for the...
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Performances of Philippine Folk Stories in UP Diliman for the National Arts Month in February
In celebration of the National Arts Month in February 2017, the University of the Philippines...
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Yury Grigorovich, A Living Symbol of the Bolshoi
As Yury Grigorovich, one of Soviet ballet’s greatest figures, turns 90 on Jan. 2, the Bolshoi and...
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An Interview With Contemporary Dance Artist David Hernandez: ‘Doing What You Want Is a Privilege, and a Nightmare’
In her research, theatre scholar Annelies Van Assche investigates the working and living...
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Traditional Arts Master Brings A Mixture Of Theatrical Elements In “Sacred Sita”
Gamelan Sekar Laras (GSL) is an Adelaide-based community gamelan group that has been playing...
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Dramaturgies of Generosity: The Theatre of BADco.
BAD co.- is one of the most interesting theatre groups from Croatia. The ensemble, lead by stage...
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Swedstage: A Showcase of Swedish Theatre
Four degrees Celsius, a thin rain and low clouds: instead of letting ourselves overwhelmed by...
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A New Form Of Classical Indian Dance
That Bharatanatyam is presented as dance drama is not new. Usage of props and costumes like in...
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“The Nutcracker”: 10 Facts About Russia’s Most Magical Ballet
The original story of The Nutcracker was part of a group of fairytales written by the German...
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Ntsoana: Changing the Perceptions and B(l)ending the Conventions of Art
The Ntsoana Contemporary Dance Theatre celebrated its tenth anniversary, during the first weekend...
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Review: “Anastasia” At The Royal Opera House
The Royal Opera House’s production of the real-life mystery of Anastasia comes to a close today....
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“Ya Sem”: An Egyptian Feminist Performance Closes The 23rd Cairo International Festival for Contemporary and Experimental Theatre
The 23rd Cairo International Festival for Contemporary and Experimental Theatre opened Tuesday,...
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Decentring Dance Dramaturgy
Multiple approaches in contemporary performance and in dance performance, in particular, are part...
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The Turn Of The 20th And 21st Century: New Thinking, New Language, New Dance
The emergence of modern dance groups in Belarus was caused by perestroika and social and political...
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Egypt on Stage: Tanoura Folkloric Dance and Sahar El Mougy’s New Play
The Egyptian Tanoura Folkloric Dance The Tanoura dance or spectacle is a mystic, Sufi, folkloric...
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