Alessandra Ferri and the Ballet “Duse” by John Neumeier
Today, can the myth of a prima donna live in a prima ballerina? The choreographer and director...
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Theatre and Dance
Bouchra Ouizguen’s Subversive Feminine
Originally from Ouarzazate, Morocco, Bouchra Ouizguen studied and performed with choreographers...
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Moscow to Host Benois de la Dansé for the Best in Ballet
The Benois de la Dansé prize for contributions to the art of ballet is one of the most prestigious...
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Giving the Leading Role to the Body
Stage movement has managed to secure its place in Polish theatres. The work of a dancer or a...
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“Brotherhood: The Hip-Hop Opera” and The Art of Rap
Actor-musician-dancer Sebastien Heins delves into human redemption and fraternal love with his...
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The National Ballet of Canada’s World Premiere of “Pinocchio” Sets an International Classic in a Canadian Context
The National Ballet of Canada’s 2017 world premiere of Pinocchio adds an unusual twist to the...
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Nowy Teatr’s “Generation After” Showcases “New School” of Polish Dance and Theatre
From March 23 to 25, Warsaw’s Nowy Teatr, together with the Adam Mickiewicz Institute, presented...
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Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”
A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...
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Bodyscaping Landscapes and Perceptions: An overview of South Africa’s My Body My Space Rural Arts and Culture Festival
Cows moo, cocks crow, doves coo, twigs snap, dancers dance, and choreographers dream. Personal and...
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Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
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Movement At The Museum
Is a museum hall a suitable scene for dance? A number of exhibitions organized during the last...
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Enthralling Spectrum of Visual and Aural Artistry: The Kamineeyakam Kathakali Festival
Kamineeyakam Kathakali festival in Kochi offered a platform for artists to showcase their...
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“Red”: Using the Body to Touch The Contemporaneity of the Past
Red, a documentary play created by Wen Hui’s Living Dance Studio, is based on Red Detachment of...
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Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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The Future of Dance Is Underwater: A Review of Eko Supriyanto’s Indonesian Contemporary Dance
Mindful that the adrenaline coursing through your veins must not disturb the rhythm of your...
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Innovative Kathakali Artists Take the Stage in Palakkad
The staging of Nalacharitham Onnam Divasam in Palakkad had some pleasant surprises in store for...
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Home Is where the He(art) Is: Flatfoot Dance Company’s “Home” Trilogy
Durban, South Africa. Flatfoot Dance Company’s Home trilogy created and presented at different...
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OzAsia Festival Brings A Global Perspective To Australia With Theatre And Dance
Sometimes the weather simply won’t cooperate. Between a state-wide blackout, monsoonal rain, and...
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Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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Contemporary Dance in Belarus in the Early 21st Century: “Waiting for Godot”
During the last decade, two interconnected processes of legalization and professionalization have...
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