Polish Tanztheater?
It is an interesting coincidence that 1973 saw the creation of both Pina Bausch’s Tanztheater...
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Theatre and Dance
The Fusion Dance and Theatre: What’s Required in Successful Intercultural Collaboration
Australian theatre-person and actor Trevor Jamieson on finding parallels between Indian and...
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How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World
Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...
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Manuel Pelmus Examines The Performance Art Of Hong Kong Protest
When asked to pick one word that describes the city of Hong Kong, Romanian performance artist...
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Dance And Cultural Exchange: Typologies Of Migration
In dance, migration is not a phenomenon confined to modern times. For numerous reasons artists...
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Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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Review: Circadia Indigena’s “Greed/REsolve” Assaults The Senses
Vancouver, British Columbia Annie Smith review’s Circadia Indigena’s Greed/REsolve, a contemporary...
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“OCD Love:” LEV Dance Company Delves Into A Paradox, The Strange Psychic Disruption Of The Troubled Body!
This latest work by the Israeli dance company LEV Dance, created by Sharon Eyal and Gai Behar is a...
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A Conversation About Movement, Nationalism, And Collectivity
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
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The Unlimited House Of Krip: Vogue Ball With D/deaf And Disabled Performers
Disability theatre company, Fittings Multimedia, headed by Garry Robson got an Unlimited...
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Life Is Love In A Modern Take On An Ancient Chinese Folktale
The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...
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For The Love Of The Game: “Peh LO Tah” at BAM
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
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Experiencing “Badke”
KVS Theater in Brussels I tend to shy away from western-Arab collaborations. I tend to be...
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A 160-Year-Old Pirate’s Ballet Makes Its Asian Debut In Hong Kong
It isn’t often you find a Hong Kong resident unfamiliar with the pirate legend of Cheung Chau, but...
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The Swiss Are Shaking Up Hong Kong’s Dance Scene
This article is brought to you by the Hong Kong Arts Centre With its expansive alpine views, low...
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Dana Michel’s “Mercurial George” – Illegibility, Identity, Blackness
Illegibility, Identity, Blackness The lack of black choreographers/ black voices in Contemporary...
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Syrian Dancers Perform Show About Refugees and Migration in Berlin
A group of Syrian dancers is going on tour across Germany with a show that tells of the plight...
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The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”
The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...
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Disability And The Arts – A Separate Sector?
The notion of “dance and disability” as a sector of the arts in its own right is both...
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