PQ 2019: A Dove is a Pigeon
One of my guiding principles in life is that the list of things I find beautiful should always be...
Read MorePosted by Abigail Weil | 18th Jun 2019 | Czech Republic, Festivals, Musical Theatre, Prague Quadrennial 2019, Review
One of my guiding principles in life is that the list of things I find beautiful should always be...
Read MorePosted by Howard Pollack | 14th Jun 2019 | Essay, Musical Theatre, Theatre and Opera, United States of America
Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established...
Read MorePosted by Ryan Pepper | 11th Jun 2019 | Canada, Musical Theatre, Review
Orpheus Musical Theatre Society have brought to the stage another light-hearted musical, doing...
Read MorePosted by Rem Myers | 10th Jun 2019 | Boston, LGBTQ+ Theatre, Musical Theatre, United Kingdom
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
Read MorePosted by Taylor L. Ciambra | 10th Jun 2019 | Musical Theatre, Review, United States of America
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
Read MorePosted by Christine Deitner | 8th Jun 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Musical Theatre, Review, United States of America
It’s Hollywood Fringe Festival time here in Los Angeles, and for those of you who are not...
Read MorePosted by Amy Toledano | 3rd Jun 2019 | London, Musical Theatre, Review, United Kingdom
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
Read MorePosted by Rem Myers | 30th May 2019 | Boston, Musical Theatre, Review, United States of America
Pacific Overtures, currently running through June 16th at The Lyric Stage in Boston, is one of...
Read MorePosted by Rem Myers | 27th May 2019 | Boston, Musical Theatre, Review, Theatre and Politics, United States of America
We Live in Cairo, a new musical written by brothers Daniel Lazour & Patrick Lazour, directed...
Read MorePosted by Matthew McMahan | 15th May 2019 | Boston, Musical Theatre, Review, United States of America
The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...
Read MorePosted by Ryan Pepper | 7th May 2019 | Canada, Musical Theatre, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Abigail Weil | 3rd May 2019 | Immersive Theatre, LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
Read MorePosted by Abigail Weil | 17th Apr 2019 | Design, Devised Theatre, Musical Theatre, New York, Review
In 1919, following the devastation of the First World War, a movement arose to aid in the...
Read MorePosted by Michael Appler | 13th Apr 2019 | Musical Theatre, New York, Review, United States of America
The jukebox musical isn’t so named merely for its carousel of beloved pop tunes. It also puts to...
Read MorePosted by Vikram Phukan | 9th Apr 2019 | India, Musical Theatre, News
The term ‘musical theatre’ might conjure up visuals of the Broadway-style extravaganza and its...
Read MorePosted by Jonathan Kalb | 9th Apr 2019 | Canada, Musical Theatre, Review
Come From Away, a relentlessly peppy new musical by the Canadian husband-wife team David Hein and...
Read MorePosted by Maria Jovita Zárate | 3rd Apr 2019 | LGBTQ+ Theatre, Musical Theatre, Philippines, Review, Theatre and Politics
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
Read MorePosted by Nicole Birmann Bloom | 27th Mar 2019 | France, Interview, Musical Theatre
The four American actors (Alex, Nadia, Whit, and Ben) of Olivier Py’s musical The Young Girl, The...
Read MorePosted by Michael Appler | 19th Mar 2019 | Musical Theatre, New York, Review, United States of America
Anyone who tells you that Cole Porter’s Kiss Me, Kate isn’t, or can’t be, a kick in the teeth to...
Read MorePosted by Michael Appler | 14th Mar 2019 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
The high school musical’s calling card has always been the “be yourself” thematic. A nerdy,...
Read More

“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 