“Hairspray” at The Oregon Shakespeare Festival
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
Read MorePosted by Taylor L. Ciambra | 10th Jun 2019 | Musical Theatre, Review, United States of America
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
Read MorePosted by Christine Deitner | 8th Jun 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Musical Theatre, Review, United States of America
It’s Hollywood Fringe Festival time here in Los Angeles, and for those of you who are not...
Read MorePosted by Amy Toledano | 3rd Jun 2019 | London, Musical Theatre, Review, United Kingdom
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
Read MorePosted by Rem Myers | 30th May 2019 | Boston, Musical Theatre, Review, United States of America
Pacific Overtures, currently running through June 16th at The Lyric Stage in Boston, is one of...
Read MorePosted by Rem Myers | 27th May 2019 | Boston, Musical Theatre, Review, Theatre and Politics, United States of America
We Live in Cairo, a new musical written by brothers Daniel Lazour & Patrick Lazour, directed...
Read MorePosted by Matthew McMahan | 15th May 2019 | Boston, Musical Theatre, Review, United States of America
The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...
Read MorePosted by Ryan Pepper | 7th May 2019 | Canada, Musical Theatre, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Abigail Weil | 3rd May 2019 | Immersive Theatre, LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
Read MorePosted by Abigail Weil | 17th Apr 2019 | Design, Devised Theatre, Musical Theatre, New York, Review
In 1919, following the devastation of the First World War, a movement arose to aid in the...
Read MorePosted by Michael Appler | 13th Apr 2019 | Musical Theatre, New York, Review, United States of America
The jukebox musical isn’t so named merely for its carousel of beloved pop tunes. It also puts to...
Read MorePosted by Vikram Phukan | 9th Apr 2019 | India, Musical Theatre, News
The term ‘musical theatre’ might conjure up visuals of the Broadway-style extravaganza and its...
Read MorePosted by Jonathan Kalb | 9th Apr 2019 | Canada, Musical Theatre, Review
Come From Away, a relentlessly peppy new musical by the Canadian husband-wife team David Hein and...
Read MorePosted by Maria Jovita Zárate | 3rd Apr 2019 | LGBTQ+ Theatre, Musical Theatre, Philippines, Review, Theatre and Politics
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
Read MorePosted by Nicole Birmann Bloom | 27th Mar 2019 | France, Interview, Musical Theatre
The four American actors (Alex, Nadia, Whit, and Ben) of Olivier Py’s musical The Young Girl, The...
Read MorePosted by Michael Appler | 19th Mar 2019 | Musical Theatre, New York, Review, United States of America
Anyone who tells you that Cole Porter’s Kiss Me, Kate isn’t, or can’t be, a kick in the teeth to...
Read MorePosted by Michael Appler | 14th Mar 2019 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
The high school musical’s calling card has always been the “be yourself” thematic. A nerdy,...
Read MorePosted by Michael Appler | 8th Mar 2019 | Musical Theatre, New York, Review, Theatre and Gender, United States of America
Lincoln Center has reissued its mandate for Lerner and Loewe’s 1956 classic, casting off whatever creative anxiety earlier dogged the production and staging a decidedly lighter, exuberant My Fair Lady.
Read MorePosted by Michael Appler | 5th Mar 2019 | Musical Theatre, New York, Review, United States of America
Fiasco Theater has dared to tempt fate yet again with Merrily, staging a buoyant, light-on-its-feet reimagining that’s stripped the musical of its original clutter, aiming, instead, for the story’s thematic heart.
Read MorePosted by Trevor Boffone | 26th Feb 2019 | Musical Theatre, Review, United States of America
Confession. I love ABBA. For years I kept my Abba-session private. No one needed to know nor did I...
Read MorePosted by Abigail Weil | 24th Feb 2019 | Musical Theatre, New York, Review, United States of America
In 2004, Gwen Stefani, lately of the band No Doubt, released a song called Rich Girl which sampled...
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