“Trade/Motorhead” at PROTOTYPE 2023 Festival
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read MorePosted by Jingyi Zhang | 23rd Jan 2023 | Festivals, New York, Prototype 2023, Theatre and Gender, Theatre and Opera, United States of America
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read MorePosted by Jingyi Zhang | 21st Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, Transmedia, United States of America
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
Read MorePosted by Jingyi Zhang | 20th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
Read MorePosted by Jingyi Zhang | 18th Jan 2023 | Festivals, Japan, Prototype 2023, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
Read MorePosted by Jingyi Zhang | 17th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
Read MorePosted by Marcina Zaccaria | 21st Feb 2021 | New York, Prototype 2021, Review, Theatre and Opera, United States of America
I was mesmerized by Courtney Love, performing in Kansas City Choir Boy at Prototype in 2015....
Read MorePosted by Alexander Fatouros | 18th Feb 2021 | New York, Prototype 2021, Review, Theatre and Opera, Theatre and Science, United States of America
Composed by Valgeir Sigurðsson and directed by Sara Martí, Wide Slumber for Lepidopterists is an...
Read MorePosted by Alexander Fatouros | 28th Jan 2021 | New York, Prototype 2021, Review, Theatre and Opera, United States of America
Created by theatre-artist Geoff Sobelle and composer-performer Pamela Z, Times3 (Times x Times x...
Read MorePosted by Abigail Weil | 26th Jan 2020 | Adaptation, New York, Prototype 2020, Review, Theatre and Opera, United States of America
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
Read MorePosted by Abigail Weil | 16th Jan 2020 | Dramaturgy, New York, Prototype 2020, Review, Theatre and Gender, Theatre and Opera, Theatre and Religion, United States of America
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
Read MorePosted by Janelle Lawrence | 26th Jan 2019 | New York, Prototype 2019, Review, Theatre and Opera, United States of America
Walking into the lower theatre at HERE for Train With No Midnight you may have thought you were...
Read MorePosted by Heather Waters | 18th Jan 2019 | Prototype 2019, Review, Theatre and Gender, Theatre and Opera, United Kingdom, United States of America
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Cate Cammarata | 6th Feb 2018 | New York, Prototype 2018, Theatre and Opera, Transmedia, United States of America
“To dive we must forget the surface fuss… Ignore all surface fuss.. Ignore the surface…” -From...
Read MorePosted by Heather Waters and Susan LaFever | 5th Feb 2018 | New York, Prototype 2018, Theatre and Film, Theatre and Opera, United States of America
Of the two reviewers, Waters saw Captive Wild Woman, the movie the opera is based on, the morning...
Read MorePosted by Kendra Augustin | 3rd Feb 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, United States of America
When a show begins I find it difficult for me to be present. Almost, as if, I’m like...
Read MorePosted by The Theatre Times | 25th Jan 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, Theatre and Politics, United States of America
As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
