But Why Are They Indispensable?
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
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Directing
The End Of The Line: Krystian Lupa’s “Waiting Room.o”
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
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Death In Wroclaw: On Grotowski’s Legacy
In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...
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Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto
I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...
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Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
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Krystian Lupa Closely Examined: “Endgame”
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
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Grzegorzewski’s Instrumentarium
Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...
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All Kinds Of Luxuries: Talk With Polish Director Jan Klata
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
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