Adaptation Archives - Page 15 of 24

“Melancholia” Artfully Brings The End Of The World To The Stage

Posted by Sandra D'urso | 3rd Aug 2018 | Adaptation, Australia, Review, Theatre and Film

Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...

“Orlando” At Soulpepper Theatre

Posted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender

To see actors who have received proper professional training in the use of two core...

Sally Cookson’s “A Monster Calls” At The Old Vic

Posted by Aleks Sierz | 20th Jul 2018 | Adaptation, London, Review, Theatre for Young Audiences, United Kingdom

There are few subjects as emotionally fraught as the relationship between childhood and death. How...

“Imperium” at The Gielgud Theatre

Posted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom

History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...

Hitchcock Meets Indian Film Noir

Posted by Vikram Phukan | 9th Jul 2018 | Adaptation, India, News

The fourth edition of Aadyam premieres with Atul Kumar’s crime extravaganza—Detective Nau Do...

Compelling Story Of An Inhuman Practice

Posted by Diwan Singh Bajeli | 28th Jun 2018 | Adaptation, India, Review

Excellent music and performances rendered Asif Ali’s Nachyo Bahut Gopal a fine depiction of those...

Characters In Search Of A Play

Posted by Akarsh Khurana | 27th Jun 2018 | Adaptation, Books, India, Theatre for Young Audiences

Can’t we love a book enough to want to bring it to life on stage? Summer is here, and so are the...

Dr. Faustus Meets Cyberspace: The Past And The Future Collide In Perfect Harmony!!

Posted by Alvina Ruprecht | 26th Jun 2018 | Adaptation, Canada, Festivals, Review, Transmedia

In a small empty space illuminated by several enlarged computer screens, a shadowy figure sits...

The Magical World Of Leonora Carrington

Posted by Margarita Vargas | 24th Jun 2018 | Adaptation, Mexico, Review, Theatre and Art, Theatre and Gender

The gardens at the Museum of Modern Art in Mexico City have been the site of Emmanuel Márquez’s...

David Harrower’s “The Prime Of Miss Jean Brodie” At The Donmar Warehouse

Posted by Aleks Sierz | 17th Jun 2018 | Adaptation, London, Review, United Kingdom

Miss Jean Brodie, the larger-than-life Edinburgh schoolteacher that strides through Muriel Spark’s...

“Magic Mike Live” Is Coming To The UK–Here’s How To Get Tickets

Posted by Adam Bloodworth | 14th Jun 2018 | Adaptation, London, News, United Kingdom

Channing Tatum fans are about to get a whole lot closer to the star’s character Magic Mike, as a...

Stratford’s “To Kill A Mockingbird” Unveils An Intriguing Atticus Finch

Posted by Jamie Portman | 13th Jun 2018 | Adaptation, Canada, Festivals, Review

STRATFORD, Ont.—It didn’t seem such a great idea 11 years ago when the Stratford Festival first...

Elizabeth Strout: “Nobody Was Even Remotely Interested In My Writing”

Posted by Alice Jones | 13th Jun 2018 | Adaptation, Books, Interview, London, United Kingdom

The story of Elizabeth Strout is one of creative faith and persistence. Growing up in Maine, “a...

“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”

Posted by Holly Williams | 4th Jun 2018 | Adaptation, Interview, United Kingdom

So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...

“Up To Low” Has Universal Appeal!

Posted by Capital Critics' Circle | 31st May 2018 | Adaptation, Canada, Review

For Ottawa-area audiences, part of the charm of the theatrical adaptation of Up To Low, by Ottawa...

Keishi Nagatsuka Navigates Cultural Differences In Bringing Play About Capital Punishment To Japan

Posted by Nobuko Tanaka | 29th May 2018 | Adaptation, Japan, News, Theatre and Politics, Translation

For casual fans of film, the name Martin McDonagh only became familiar after the movie he wrote,...

Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance

Posted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom

Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...

Let Sleeping Molière Lie

Posted by Emiliia Dementsova | 25th May 2018 | Adaptation, Essay, Russia, Russian Theatre - Featured

It is impossible to put it in writing, but to record the horror of the thing here is a black cross...

The Importance Of “Hamlet”

Posted by Vikram Phukan | 23rd May 2018 | Adaptation, India, Translation

The Bard’s tale on the machinations of Denmark’s royal family remains his most influential plays...

Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”

Posted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America

Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....

Adaptation

“Melancholia” Artfully Brings The End Of The World To The Stage

“Orlando” At Soulpepper Theatre

Sally Cookson’s “A Monster Calls” At The Old Vic

“Imperium” at The Gielgud Theatre

Hitchcock Meets Indian Film Noir

Compelling Story Of An Inhuman Practice

Characters In Search Of A Play

Dr. Faustus Meets Cyberspace: The Past And The Future Collide In Perfect Harmony!!

The Magical World Of Leonora Carrington

David Harrower’s “The Prime Of Miss Jean Brodie” At The Donmar Warehouse

“Magic Mike Live” Is Coming To The UK–Here’s How To Get Tickets

Stratford’s “To Kill A Mockingbird” Unveils An Intriguing Atticus Finch

Elizabeth Strout: “Nobody Was Even Remotely Interested In My Writing”

“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”

“Up To Low” Has Universal Appeal!

Keishi Nagatsuka Navigates Cultural Differences In Bringing Play About Capital Punishment To Japan

Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance

Let Sleeping Molière Lie

The Importance Of “Hamlet”

Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”

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