“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
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“Undine” at PROTOTYPE 2023 Festival
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
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Digital Access Research Project (DARP) Launches at metaLAB (at) Harvard
A collaboration between metaLAB (at) Harvard and the Berkman Klein Center for Internet and...
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“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
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Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
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“note to a friend” at PROTOTYPE 2023 Festival
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
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“Morning//Mourning” at PROTOTYPE 2023 Festival
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
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Three-Day Women’s Theatre Festival in Thiruvananthapuram, Begun on December 23, Showcased 14 Plays by Women Directors
A day in the museum turns out to be an unforgettable journey across time and regions for six...
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Marching the Streets with an Empty Protest Board: Where Lies the Power of Protest?
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
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Kennedy Center Dramaturgy Intensive 2022
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
Read More“The Fall” at Soho Playhouse
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
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New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
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“Lazarus 1972–2022” by Ping Chong
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
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“Zahhak: The Legend of the Serpent King” and Dialogue of Civilizations at American Repertory Theater: An Interview with the Creative Team
Zahhak: The Legend of the Serpent King, will be performed January 12 – 15, 2023, at the Loeb...
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Unjust Laughter: Representations of Equity-Deserving Groups in Contemporary Iraqi Comedy
Introduction The ongoing unsettling shift of my identity from a “white” Iraqi back home (in Iraq)...
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“Ain’t No Mo Play” on Broadway at Belasco Theatre
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
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Black Theatre in Asia—Spotlight Query
It began as a direct message conversation between two black creatives: Ghanniy Oyedele from...
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Art, Dance, and Film of Ingrid Nachstern and Cate McNider
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
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Kenyans Get a Taste of “The French Shakespeare”
Alliance Française de Nairobi celebrated of the fourth centenary of Molière’s birth with an...
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“The Bloody Poet: A Novel about Nero” at DESIRÉ Central Station
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
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