Josep Maria Pou Excels In a Minimalist Catalan-language Production of Florian Zeller’s “The Father”
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
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“Phaedra” at The National Theatre
How can old texts speak to us now? The point is not just to adapt classics, but to reimagine them...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
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The Geography of Theatre Imagination: A New “Endgame” at a New Irish Theatre Festival
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
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The Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
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Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
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The ENTRE Festival in Midwest Brazil
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
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The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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Willy Hudson’s “Welcome Home” at the Soho Theatre: Messy Queer Sci-Fi Show
Willy Hudson is a writer and performer from Exeter — his Willy Hudson Ltd theatre company...
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“La Cupa” of Mimmo Borrelli: A Lunar Fable Turning to be the Most Powerful and Poetic Theatrical Event of 2022 in Naples
Naples. Last October and November, Naples was traversed by a cultural event that aimed to reassign...
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How British Theatre Censorship Laws Have Inadvertently Created A Rich Archive Of Black History
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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“Sound Of The Underground,” Royal Court
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her...
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How British Theatre Censorship Laws Have Inadvertently Created a Rich Archive of Black History
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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“Al Capone the musical” à la Francaise
The Italian American gangster – Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss...
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When Nobel Met Booker: Dario Fo, Barry Unsworth, and One Shambolic Italian Summer
The summer of 1985 is oppressive around the medieval Italian town of Gubbio. Thick heat is held...
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A Director’s Reflection: “Crimea 5 am” at The Kiln Theatre
Before the war, in what now feels like another lifetime but in reality is just over a year ago, I...
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Trap Door Theatre’s “Princess Ivona”: Piercing yet Healing
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
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“Trade/Motorhead” at PROTOTYPE 2023 Festival
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
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“Three Sisters,” National Theatre
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
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