A Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
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Sweeney Todd: Not a Demon, But a Barber of Fleet Street
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
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Lauren Gunderson’s Anthropology at the Hampstead Theatre: Interesting Digital Thriller Falters On The Edge of Darkness
Androids no longer dream of electric sheep — instead they inhabit our dreams. Whether it is novels...
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Renée Fleming’s Cities That Sing
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
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“What the Constitution Means to Me” Is As Timely As Ever
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
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“We Have To Bring Awareness About The Consequences Of Our Habits Here And Now.”
On a cool July day, in between heat waves, five people gather in a virtual meeting to talk about...
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“German Autumn” At The Uppsala Stadsteater
In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...
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Assam’s First Female Freedom Fighter, Shot a Century Ago, Rediscovered Onstage
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
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Anupama Chandrasekhar’s “The Father And The Assassin” At The National Theatre: Vastly Compelling And Darkly Comic History Play About Indian Independence
Nobodies who kill somebodies: let’s make a list. Okay, there’s Lee Harvey Oswald (JFK), James Earl...
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A Tweet About “Psycho”
It has become common practice to spend time on social networks at certain hours of the day,...
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How Urdu Theater Is Reaching Out to New Audiences
The Hoshruba Repertory Theatre Festival, which begins on September 12 at Prithvi Theatre in...
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Notch Theatre Company’s “Wild Home” To Host Community Event On September 13th
When it comes to Wild Home: An American Odyssey, the project is best-described by its subtitle....
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Miriam Battye’s Strategic Love Play At The Soho Theatre: Mixture Of Laughter, Pain And Insight Into Contemporary Romance
Remember what a first date feels like? Awkward. Exciting. Awkward. Intriguing. Awkward. Difficult....
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“Stumped.” Live Theatre In The Age Of Hybrid Realities.
Originally Shomit Dutta’s new play Stumped was screened online from 27 September 2022. Streaming...
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“Writing Using:” Framing the Body’s Process of Liberation Through Contemporary Dance
Writing Using is the most recent work by Ahn Aesoon, one of the most renowned contemporary dancers...
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Polish People Deserve Better From Irish Theatre…
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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All The Conflicts In The Social Theatre Today: Interview With Fabio Tolledi
Fabio Tolledi is a theatre director, and playwright of Astràgali Teatro, a theatre company founded...
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68th Sterijino pozorje: A critical dialogue
The 68th Sterijino pozorje took place earlier this summer in Novi Sad. Critics Borisav Matić and...
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Tim Fraser’s Candy At Park Theatre: Moving Account Of Gender Identity And Masculinity
Okay, let’s start with a definition: it is said that sex is what you have between your legs, and...
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Institutional Logic Of The System: Young Artists Are Excluded From Public Funding. An Interview With Franco Ungaro
Franco Ungaro works at the AMA – Accademia Mediterranea dell’Attore in Lecce (Italy), he has...
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