Egyptian-German Collaboration: My Journey in Earthport
Earthport was performed in Berlin and Cairo in 2016. This article is based on the Berlin...
Read MorePosted by Fadi Fayad Skeiker | 20th Sep 2016 | Essay, Theatre and Politics, Transcultural Collaborations
Earthport was performed in Berlin and Cairo in 2016. This article is based on the Berlin...
Read MorePosted by José Ferreira | 20th Sep 2016 | Immersive Theatre, News, Portugal
After Tiago Rodrigues was appointed Director of Dona Maria National Theatre, in Lisbon, in October...
Read MorePosted by Maria Pia Pagani | 19th Sep 2016 | Festivals, Italy, News
The great Italian poet Gabriele d’Annunzio spent the last years of his life at the Vittoriale, his...
Read MorePosted by Margarita Vargas | 18th Sep 2016 | Immersive Theatre, Mexico, News
Demonios: las huellas del dolor (Demons: The Traces of Pain), written by Ingrid Águila, and...
Read MorePosted by Gad Kaynar | 18th Sep 2016 | Essay, Israel
The late Israeli critic, Dr. Shosh Avigal, wrote in 1996 that: “It is private life that is...
Read MorePosted by Lauren Dubowski | 17th Sep 2016 | Directing, News, Poland, Polish Theatre Abroad, Review
The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...
Read MorePosted by Brian Lobel | 17th Sep 2016 | Musical Theatre, Review, United Kingdom
In 2001, at the age of 20, I was diagnosed with stage 3 metastatic testicular cancer. As a cancer...
Read MorePosted by Yana Meerzon | 16th Sep 2016 | Canada, Festivals, Review
In today’s political, economic and social climate, with mass migration turning into a new norm, it...
Read MorePosted by Margarita Vargas | 15th Sep 2016 | Los Angeles, Review, United States of America
A Mexican Trilogy: American Story is showing at The Los Angeles Theatre Center from September 8...
Read MorePosted by Nesma Youssef Idris | 15th Sep 2016 | Egypt, Review, Theatre and Disability
Perfume is probably the first play ever to be staged on the topic of the problems of people who...
Read MorePosted by Jonah Salz | 15th Sep 2016 | Dramaturgy, Essay, Japan
Kyôgen (狂言) are short, stylized comedies performed between somber masked-dance noh (能) for over...
Read MorePosted by Marcina Zaccaria | 15th Sep 2016 | New York, Review, Theatre and Opera, United States of America
A prodigy, a scholar, and an artist determined to break out of a mold, Maria Anna Mozart found her...
Read MorePosted by Margarita Vargas | 14th Sep 2016 | Mexico, Review
Mamá te voy a demandar (Mother, I’m Going to Sue You) Will be showing at Teatro Milan in Foro...
Read MorePosted by Ágnes Bakk | 14th Sep 2016 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Brighton-based Blast Theory is one of the world leading interactive performance companies that...
Read MorePosted by Deepa Alexander - TheHindu.com | 14th Sep 2016 | India, Review
Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...
Read MorePosted by Cristina Modreanu | 13th Sep 2016 | Directing, Germany, Interview
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
Read MorePosted by Carl Lavery | 13th Sep 2016 | Review, Scotland, United Kingdom
Set in the leafy grounds of Holmwood House in Glasgow’s Southside, Simon Starling and Graham...
Read MorePosted by Marjan Moosavi | 13th Sep 2016 | Festivals, Iran, News, Puppetry, Theatre for Young Audiences
Iran hosted the 16th Mobarak International Puppet Theatre Festival from August 22 to August 28,...
Read MorePosted by Ahram Online | 12th Sep 2016 | Egypt, Review, Theatre and Politics
The Last Supper, a play by Ahmed El-Attar, which magnifies the absurdity of modern upper-class...
Read MorePosted by Peta Tait | 12th Sep 2016 | Australia, Essay, Theatre and Opera
Circus has always shamelessly borrowed from other performance forms. It has coopted all types of...
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