David Baddiel’s “My Family: Not the Sitcom”
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
Read MorePosted by Alice Jones | 22nd May 2016 | London, Review, United Kingdom
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
Read MorePosted by Lai Del Rosario | 20th May 2016 | Essay, Philippines, Producing, Theatre and Dance
Gabriel Barredo’s Opera, Choreographed by Redha is a show fusing dance and the visual arts. Staged...
Read MorePosted by Kata Karah | 16th May 2016 | Review, Romania
“How many children dream of being Jesus!?” This question echoes throughout Maria...
Read MorePosted by Olenka Hamilton | 16th May 2016 | Adaptation, France, Poland, Review
Polish theatre director Krzysztof Warlikowski’s Phaedra(s) is in London from the Odeon Theatre de...
Read MorePosted by Nobuko Tanaka | 13th May 2016 | Directing, Essay, Japan
Acclaimed stage director Yukio Ninagawa was a titan of global theater but his hand felt...
Read MorePosted by Duška Radosavljević | 11th May 2016 | Dramaturgy, Essay
As part of a series of essays on Ivo van Hove’s dramaturgy, Duska Radosavljevic unpicks the...
Read MorePosted by Paul Kihara Kariuki | 9th May 2016 | Kenya, Review, Theatre and Politics
The playwright explores issues that plague Kenya today and he does that with a compassionate eye...
Read MorePosted by Persis Jade Maravala and Jorge Lopes Ramos - Exeunt Magazine | 2nd May 2016 | Dramaturgy, Essay, Immersive Theatre, Participatory Theatre
As participatory theatre saturates the mainstream, here’s Persis Jade Maravala and Jorge...
Read MorePosted by Huw Griffiths | 2nd May 2016 | Australia, Review, Theatre and Politics
Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...
Read MorePosted by Fides Schopp | 1st May 2016 | Austria, Interview, Playwriting
College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...
Read MorePosted by Nobuko Tanaka | 28th Apr 2016 | Festivals, Japan, News
In recent years, theater fans and artists here and abroad have increasingly been wakening up to...
Read MorePosted by Marina Shimadina | 15th Apr 2016 | Essay, Management, Russia
One of Moscow’s leading theaters, the Sovremennik, is marking its 60th anniversary. The theater,...
Read MorePosted by Nobuko Tanaka | 6th Apr 2016 | Directing, Interview, Japan, Management
He doesn’t officially become Kanagawa Arts Theatre’s artistic director until April 1, but Akira...
Read MorePosted by Iquo Diana Abasi | 3rd Apr 2016 | Nigeria, Review, Theatre and Gender
March 8th is celebrated world over as the UN International Women’s Day, and over the years, the...
Read MoreThursday, March 24, 2016, was International Day for the Elimination of Racial Discrimination. To...
Read MorePosted by The Theatre Times | 30th Mar 2016 | Egypt, Review
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
Read MorePosted by Camelia Ciobanu | 30th Mar 2016 | Review, Romania
The first 100% Romanian play in London–created by Romanians for the Romanian community–had its...
Read MorePosted by Nazli Tarzi | 29th Mar 2016 | Iraq, News
In Baghdad’s Salihiya neighbourhood, a group of volunteers is staging a different kind of protest....
Read MorePosted by Olenka Hamilton | 28th Mar 2016 | Poland, Review
The Tailor Of Inverness, a Dogstar production which premiered at Chats Palace in Hackney last...
Read MorePosted by Ashley Barnwell | 28th Mar 2016 | Adaptation, Australia, Review, Theatre and Politics
Neil Armfield’s new stage adaptation of Kate Grenville’s 2005 novel The Secret River invites us to...
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