“The Producers” Revival at Paper Mill Playhouse
The Paper Mill Playhouse’s revival of Broadway hit The Producers received the 2016 Regional...
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For Emancipated Dramaturgy
I. The dramaturg as emancipated spectator I will begin with this assumption: Today the...
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The Life and Death of Maria Alice Vergueiro
When someone asked Maria Alice Vergueiro what would people talk about her after her death, she...
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Musings on Supertitles
Thinking about how to make supertitles more friendly, more accessible to an audience that is...
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Moscow Artistic Director Warns of Resurgent Censorship
In an emotional speech on October 24, Konstantin Raikin—the artistic director of Moscow’s...
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Conversation with Rabih Mroué “Images until victory?”
Are digital media able to launch a revolution? A conversation with the Lebanese artist Rabih Mroué...
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“Short-Term” Visitor To Japan Serves Up A Rare Shakespeare Treat After Only 20 Years
When Peter Goessner’s wife got a contract to teach at a university in the city of Kitakyushu,...
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Jorge Dubatti’s “Escuela de Espectadores” Sparks a Passion for Theater in Buenos Aires
Independent theater in Buenos Aires is currently thriving, despite a number of severe economic...
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Jordan’s National Center for Culture and Arts: Defying Stereotypes, Leading Cultural and Artistic Dialogue for Social Change in The Middle East
Think of the Middle East and theatre would not be the first image that comes to the mind of most...
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“Minutes Flow”: An Ontological Search Through One’s Grandmother
Los minutos se vierten (Minutes Flow), an experimental theater/dance piece, is showing at Teatro...
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Is there a Peruvian Theatre Canon? Part Two: “Collacocha” (1956) by Enrique Solari Swayne
Collacocha by Enrique Solari Swayne gains new life as it approaches its sixtieth year of production.
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How Theatre Is Tackling The Biggest Issue of All: The Future of Our Planet
Oil, Ella Hickson’s new play at the Almeida, begins in a bitingly cold Cornwall in 1889 when a...
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Unrest and Discontent – Political Theatre as Agonistic Field
The more the time we are living through seems out of joint, the harder it has been for the...
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Disabled Artists: Rio’s Paralympic Theatre
In January 2016, I took part of a round table entitled The Disabled People’s Protagonism in...
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In “887,” Robert Lepage Has Built a Memory Palace Out of Theatre
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
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Despite Bomb Threats, “Out of The Blue” Plays On (Internationally)
Out of the Blue, currently playing at Moscow’s Satirikon Theater, is restricted to ages 21...
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Contemporary and Classic Possibilities
Ninasam Tirugata staged two plays — Kalandugeya Kathe and Atta Dari Itta Puli. One reads the...
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Chicago’s Joseph Jefferson Awards for Equity Theatre
The Tempest and Dreamgirls take top honors at the 48th Annual Jeff Awards October 17, 2016 –...
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Hands And Language, A Chronicle In Georgian Land
An askew church tower, an entrance in half-light–some places do not expose themselves that easily....
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What is Live? Met Opera’s Live in HD
Live – what is it and why does it matter? The Metropolitan Opera’s Live in HD series brings opera...
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