Lagos, Theatre, Critic: Working Together
Three red chairs on a stage, at the upstairs bar, overlooking the Food Court at Freedom Park....
Read MorePosted by Amatesiro Dore | 14th May 2017 | Nigeria
Three red chairs on a stage, at the upstairs bar, overlooking the Food Court at Freedom Park....
Read MorePosted by Huw Griffiths | 14th May 2017 | Australia, Sydney
Black is the New White is Nakkiah Lui’s latest play, following last year’s well-received Kill the...
Read MorePosted by Armando Rotondi | 13th May 2017 | Adaptation, Italy, Poland, Polish Theatre Abroad, Review
Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...
Read MorePosted by Marcina Zaccaria | 13th May 2017 | New York, Theatre and Opera, Transmedia, United States of America
Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...
Read MorePosted by Miroslav Ballay | 12th May 2017 | Poland, Review, Theatre and Politics
During his residential stay (May–June 2016), the Polish artist and performer Paweł Korbus (1983)...
Read MorePosted by Shin Hyunsook | 12th May 2017 | Adaptation, Devised Theatre, South Korea
In late 2016, a chaotic period both in and out of Korea, Doosan Art Center and Theatre Company...
Read MorePosted by Amanda Boekelheide | 12th May 2017 | New York, Theatre and Opera, United States of America
Symphony Space presents Fuse Project April 30 through May 23, which is, in their words:...
Read MorePosted by Pablo Bardin | 11th May 2017 | Adaptation, Argentina, Theatre and Opera
German composer’s Forbidden Love is premièred at the Teatro Colón The Colón hasn’t offered Richard...
Read MorePosted by Lauren Deutsch | 11th May 2017 | Adaptation, France, Los Angeles, Theatre and Art, Theatre and Opera
In advance of the Los Angeles County Museum of Art’s forthcoming exhibition, Chagall: Fantasies...
Read MorePosted by Krista Jarboe | 11th May 2017 | Acting, Interview, Los Angeles, United States of America
You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...
Read MorePosted by Amir Al-Azraki | 11th May 2017 | Iraq, Theatre and Politics
Introduction [1] Political violence (resistance violence, revolutionary violence, state violence,...
Read MorePosted by Kasia Lech | 10th May 2017 | News, Poland, Theatre and Politics
The Old Theatre in Kraków has just got a new General Director. Surprisingly, or maybe even...
Read MorePosted by Trevor Boffone | 10th May 2017 | News, Playwriting, United States of America
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
Read MorePosted by Wim Vorster | 9th May 2017 | LGBTQ+ Theatre, South Africa
Now and then a stage production is mounted supplying more than entertainment, albeit intellectual...
Read MorePosted by Oleg Krasnov - Russia Beyond Headlines | 9th May 2017 | News, Russia, Theatre and Dance
The Benois de la Dansé prize for contributions to the art of ballet is one of the most prestigious...
Read MorePosted by Christian Griffiths | 8th May 2017 | Australia, Melbourne, Theatre and Disability
As we all know, the first line of Shakespeare’s Richard 3 reads, “Now is the winter of our...
Read MorePosted by Vikram Singh Thakur | 8th May 2017 | India, Translation
Hamara Shakespeare: Shakespeare and the Hindi Theatre in India Shakespeare has been performed in...
Read MorePosted by Julian Meyrick | 7th May 2017 | Australia, Playwriting
When she died in 2002, The Age hailed Dorothy Hewett as “the grande dame of Australian literature”...
Read MorePosted by Aleks Sierz | 7th May 2017 | London, Review, United Kingdom
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
Read MorePosted by Aleks Sierz | 6th May 2017 | Review, Romania, Theatre and Politics, United Kingdom
In the growing xenophobic atmosphere of Brexit it is a relief to see a show from Europe, to get a...
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