“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
Read MorePosted by Colin Hambrook | 30th Jan 2018 | Review, Theatre and Disability, United Kingdom
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
Read MorePosted by Jack Wernick | 29th Jan 2018 | New York, Review, Theatre and Dance, United States of America
New York-based experimental troupe Nature Theater of Oklahoma (NTO) teams up with Slovenia’s...
Read MorePosted by Jonathan Kalb | 29th Jan 2018 | New York, Playwriting, Review, United States of America
I want the experience for the audience to be a sort of speeding train that gets completely and...
Read MorePosted by Trevor Boffone | 28th Jan 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
Read MorePosted by Jane Baldwin | 28th Jan 2018 | Boston, Puppetry, Review, Theatre and Film
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
Read MorePosted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
Read MorePosted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
Read MorePosted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review
The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...
Read MorePosted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
Read MorePosted by Lauren Dubowski | 27th Jan 2018 | Divine Comedy Festival 2017, Festivals, Playwriting, Poland, Review
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
Read MorePosted by Jessica Hinds-Bond | 27th Jan 2018 | Review, Russia, Russian Theatre Abroad
Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...
Read MorePosted by T. Saravanan | 27th Jan 2018 | India, Review, Theatre and Politics
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
Read MorePosted by European Theatre Lab | 26th Jan 2018 | Germany, News, Transcultural Collaborations, Transmedia
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
Read MorePosted by Diane de Beer | 26th Jan 2018 | Review, South Africa, Theatre and Politics
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
Read MorePosted by Kee-Yoon Nahm | 26th Jan 2018 | Review, South Korea, Theatre and Politics
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
Read MorePosted by Pavel Rudnev | 25th Jan 2018 | Dramaturgy, Essay, Russia, Russian Theatre - Featured
The movement for the renewal of the repertoire and new playwriting in Russia is hardly more than...
Read MorePosted by Trevor Boffone | 25th Jan 2018 | Festivals, News, United States of America
Since moving to Houston, Texas, in 2012, I’ve been amazed at the abundance of theatre...
Read MorePosted by The Theatre Times | 25th Jan 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, Theatre and Politics, United States of America
As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read MorePosted by Asen Terziev | 24th Jan 2018 | Bulgaria, Review
Delhi Dance by Ivan Vyrypaev; directed by Galin Stoev; set design by Nikola Toromanov; costumes by...
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