“The Neighbor’s Grief is Greener”: A Dark Domesticity
A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...
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From Script To Stage: Sustaining The Rhythm In Performing Art In Nigeria
Can rhythm in theatre performances be sustained? Composing a moist and spicy story could be quite...
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Interview With Mickey Rowe: A Leader In Autism Representation On Stage
This fall, Mickey Rowe was the first autistic actor to play Christopher Boone, the autistic main...
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“My Mum’s A Twat” at The Royal Court
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
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“Iyov” Premieres At The Prototype Festival
When a show begins I find it difficult for me to be present. Almost, as if, I’m like...
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A Theoretical Polarization Between Performability Versus Readability Or Towards “The Metaphysics Of A (Play) Text?”
In this essay, I want to discuss the interface the Semiotics of Theater and Theater Translation as...
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Colliding Traditions Keep Chinese Opera Alive and Well
Chinese opera is as expansive and diverse as China itself – and it continues to thrive in the face...
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“What A Young Wife Ought To Know”: Birth Control Docudrama
Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...
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“Mandelshtam-Fest” – Theatre and Poetry Festival in Voronezh, Russia
The second “Mandelshtam-Fest” took place at Voronezh Chamber Theatre on December 8–10, 2017....
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“The Grift”: Theatre or Escape Room?
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
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“The Birthday Party” – Revival at Harold Pinter Theatre
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
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Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado
While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...
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“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
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“Rita, Sue And Bob Too” at The Royal Court: The Revival for #MeToo Era
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
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“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art
What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...
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“The Pursuit Of Happiness” At Under The Radar Festival
New York-based experimental troupe Nature Theater of Oklahoma (NTO) teams up with Slovenia’s...
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Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble
I want the experience for the audience to be a sort of speeding train that gets completely and...
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Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
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“Ada/Ava”: Silent Film In The 21st Century
ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...
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“887”: A Shared Collective History About the Nature of Memory Itself
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
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