A Dystopian Sci-Fi: “Honey, I’m Home”
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MorePosted by Berna Ataoğlu | 6th Feb 2025 | Canada, Review, Theatre and AI, Theatre and Science
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
Read MorePosted by Ivanka Apostolova Baskar | 5th Feb 2025 | Playwriting, Slovenia, Theatre and Gender
An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...
Read MorePosted by Margaret Rose | 4th Feb 2025 | Italy, Review, Theatre and Gender
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
Read MorePosted by Berna Ataoğlu | 4th Feb 2025 | Canada, Review, Transcultural Collaborations, United States of America
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
Read MorePosted by Maria Delgado | 3rd Feb 2025 | France, Review, Theatre and Opera
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
Read MorePosted by Ivanka Apostolova Baskar | 2nd Feb 2025 | Acting, Interview, Transcultural Collaborations
To read PART I of this interview, go to this link. Collective Interview with V4 Improv...
Read MorePosted by Ivanka Apostolova Baskar | 2nd Feb 2025 | Acting, Interview, Transcultural Collaborations
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
Read MorePosted by Ina Doublekova | 26th Jan 2025 | Interview, Producing, Theatre and Politics
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
Read MorePosted by Margaret Rose | 24th Jan 2025 | Immersive Theatre, Italy, Review
Director Romeo Castellucci is coming to the end of a four-year collaboration with Milan’s...
Read MorePosted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Morgan Skolnik | 22nd Jan 2025 | New York, Review, Theatre and Disability
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by Morgan Skolnik | 17th Jan 2025 | Interview, Musical Theatre, New York
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
Read MorePosted by Andrew Agress | 15th Jan 2025 | Festivals, Interview, New York, United States of America
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MorePosted by Marcina Zaccaria | 7th Jan 2025 | Interview, New York, Playwriting
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
Read MorePosted by Amir Al-Azraki | 31st Dec 2024 | Essay, Iraq, Theatre and Politics
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
Read MorePosted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Lisa Monde | 30th Dec 2024 | Dramaturgy, Interview, Musical Theatre, United States of America
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
Read MorePosted by Maria Delgado | 23rd Dec 2024 | Review, Spain
David Trueba’s films have often had a theatrical dimension. La silla de Fernando/ Fernando’s...
Read MorePosted by Maria Delgado | 23rd Dec 2024 | Review, Spain
How to begin to approach a history of the Spanish Civil War for the stage? An ambitious prospect...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 


James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025