“Les Misérables” at Sondheim Theatre
Do you hear the people sing? In recent months, you’re more likely to have heard news stories about...
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Featured
Perspectives of Hungarian Creative Producer – Sylvia Huszár
The Perspectives of a Creative Producer Today An interview with Sylvia Huszár – creative producer...
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Pondicherry Heritage Festival Gets Under Way
Play on Tamil poet Subramania Bharati launches the cultural event, which is on till February 12....
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A Light in the Dark: “Unikkaaqtuat” a Joyful, Moderate Success at Ottawa’s National Arts Centre
From the pre-show announcement, we know we won’t catch all that is said onstage...
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Business Ethics Takes Center Stage
A theatrical performance by the Association of Chartered Certified Accountants grapples with the...
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“Lady Tabouli” Review: A Hilarious Comedy About Suffocating Expectations
Review: Lady Tabouli, directed by Dino Dimitriadis, National Theatre of Parramatta for Sydney...
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“Peggy’s Song:” A Sincere Exploration of Grief which Asks Important Questions
Peggy’s Song, the final production of Theatre Kingston’s 2019-20 season, provides a light-hearted...
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Bard or Blockbuster
Theatre is a business as well as a craft. And surveys about theatre often have a business side to...
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Chekhov’s “Uncle Vanya” at the Harold Pinter Theatre
The wilting characters of Uncle Vanya would like us to believe that their scenes from country life...
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Janice Okoh’s “The Gift” at the Theatre Royal Stratford East: Complex and Powerful Account of Race and Empire
Queen Victoria is a strong symbol of the old British Empire. For some 200 years, up to the 1950s,...
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Three Houston Theatres Collaborate to Produce Quiara Alegría Hudes’ “Elliot” Trilogy
How often do audiences in a given city get the chance to see a full body of work by a single...
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“Goldberg Variations”
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
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“Lady With a Hat:” Interview with Maša Ogrizek
Maša Ogrizek (1973), a university graduate in Sociology of Culture and a philosopher, has been...
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Pondicherry Heritage Festival Gets Under Way
In a life-comes-full-circle moment of sorts, the theatrical production, Bharathi Yaar, which has...
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“Black Drop Effect:” Indigenous Voices Offering New Historical Perspective
Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres...
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“The White Album:” Finding Community and Solidarity in Joan Didion’s Play Adaptation
We tell ourselves stories in order to live. – Joan Didion, The White Album Theatre can be many...
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BLACK. SPACE. RACE. Afrofuturism
Zambian scientist and teacher Edward Mukuka Nkoloso founded the Zambia National Academy of...
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“El Círculo” Review: The Vulnerability of Process as Performance
El Círculo will have another run in this month’s Santiago a Mil festival. This review is of a...
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Lori Klinger from Rosie’s Theater Kids on Merging Passions and Arts Education
There are angels in New York City who are teaching the arts to kids, and Lori Klinger is one of...
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Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems
Alana Dietze is an actress and director in Los Angeles. She is a company member and literary...
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