Featured Archives - Page 92 of 252

Martin Sherman’s “Rose” in Athens

Posted by Antigoni Gaitana | 21st Feb 2020 | Acting, Greece, Review

She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.

Interview with Elise Vigneron, Théâtre de l’Entrouvert

Posted by Nicole Birmann Bloom | 21st Feb 2020 | France, Interview, Puppetry

New York City’s HERE Arts Center will present the U.S. premiere of Anywhere by Théâtre de...

The Market Theatre’s “The Lion and The Lamb” is a Symphony of Talent

Posted by Tonderai Chiyindiko | 21st Feb 2020 | Review, South Africa, Theatre and Art

The Lion and The Lamb, the biblically-inspired musical which retells the story of Jesus, was...

Tony Kushner’s “The Visit” at the National Theatre

Posted by Mert Dilek | 20th Feb 2020 | Adaptation, London, Review, United Kingdom

Now that’s what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands...

“Star Odyssey” at MoMA PS1

Posted by Jack Wernick | 20th Feb 2020 | New York, Review, United States of America

The VW Dome at MoMA PS1 in Long Island City, Queens is the evocative setting of web-inspired...

Williams and Dyer’s “Death of England,” National Theatre

Posted by Aleks Sierz | 20th Feb 2020 | London, Review, Theatre and Politics, United Kingdom

Is this an angry island? Although the British national character (if there is such a thing) has...

“5 O’clock Bells:” The Story of Lenny Breau

Posted by Alvina Ruprecht | 19th Feb 2020 | Acting, Canada, Review

5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...

“Van Wyk, The Storyteller of Riverlea:” A Tribute to the Revolutionary Johannesburg Poet

Posted by Tonderai Chiyindiko | 19th Feb 2020 | Review, South Africa, Theatre and Politics

Van Wyk, The Storyteller of Riverlea based on the life of late writer, political activist and...

“The Welkin” at The National Theatre

Posted by Aleks Sierz | 19th Feb 2020 | London, Review, United Kingdom

History plays should perform a delicate balancing act: they have to tell us something worth...

Why You Don’t See Many Black and Ethnic Minority Faces in Cultural Spaces – And What Happens if You Call Out the System

Posted by Roaa Ali | 18th Feb 2020 | Essay, Theatre and Politics, United Kingdom

Have you ever been to the theatre, looked around, and thought about how predominantly white the...

Miss Marple Moves to Goa

Posted by Vikram Phukan | 18th Feb 2020 | India, Review, Theatre and Art

For fans of the whodunit as gradually unfolding conundrum rather than mere build-up to a climactic...

“Family Values:” David Williamson’s New Uncomfortable, Confronting Play

Posted by Ian Maxwell | 18th Feb 2020 | Australia, Review, Theatre and Politics

The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....

About “The Importance Of Being Earnest”

Posted by Aleks Sierz | 18th Feb 2020 | London, Review, Theatre and Politics, United Kingdom

Last week, I went for the first time to Stoke Newington’s Tower Theatre, whose company has since...

A Café in Performance: An Example of Queer Theatre in the Balkans

Posted by Borisav Matić | 17th Feb 2020 | LGBTQ+ Theatre, News, Serbia

“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić