Featured Archives - Page 251 of 255

Review: Love And War In “All’s Well That Ends Well”

Posted by Claire Hansen | 31st Mar 2014 | Australia, Directing, Review

Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s,...

New Wave of Chilean Theater

Posted by Pía Gutiérrez | 29th Mar 2014 | Chile, News

Does young theater belong to young people? Pía Gutiérrez discusses the current state of theater in...

We Need More Racial Diversity On The Stage, Both Sides Of The Pond

Posted by Tony Howard | 24th Mar 2014 | Acting, Essay, United Kingdom

In 1825 the African-American actor Ira Aldridge came to London in The Slave’s Revenge. Before...

Bosco Israel Cayo Álvarez: Chilean Playwright and Actor

Posted by Beatriz Cabur | 24th Mar 2014 | Chile, Interview

This original content is exclusive to TheTheatreTimes.com. The interview is part of the series,...

An Interview With Claudia Hidalgo, Chilean Playwright

Posted by The Theatre Times | 24th Mar 2014 | Chile, Interview, Playwriting

The interview is part of the series, ‘potlight on Chile’ which features articles, interviews, and...

Interview with María González: Chilean Playwright

Posted by The Theatre Times | 24th Mar 2014 | Chile, Interview, Playwriting

The interview is part of the series, Spotlight on Chile,’which features articles, interviews, and...

Interview with Catalina Martín: Chilean Playwright and Actress

Posted by The Theatre Times | 24th Mar 2014 | Chile, Interview, Playwriting

The interview is part of the series, Spotlight on Chile, which features articles, interviews, and...

Interview with Sandra Burmeister

Posted by The Theatre Times | 17th Mar 2014 | Chile, Interview

Sandra Burmeister is a storyteller and theatre maker from Chile. She majored in Theatre Pedagogy...

“Ganesh Versus The Third Reich” And Actors With Disabilities

Posted by Anna Teresa Scheer | 11th Mar 2014 | Australia, Review, Sydney, Theatre and Disability

This week, Back to Back Theatre‘s 2012 production Ganesh Versus The Third Reich will open at...

Connecting Shakespearean “Roman Tragedies”

Posted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia

Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...

Theatre for Dialogue Confront the Unrest in Ukraine

Posted by The Theatre Times | 22nd Feb 2014 | Essay, Participatory Theatre, Theatre and Politics, Ukraine

Between 11-18 February 2014, seven International Theatre of the Oppressed practitioners were...

Review: “Cock”

Posted by Stuart Richards | 16th Feb 2014 | Australia, LGBTQ+ Theatre, Review

British playwright Mike Bartlett’s contemporary comedy of manners Cock opened on the Melbourne...

The “Masking” of Immigrant New Zealanders

Posted by Harry Ricketts | 12th Feb 2014 | New Zealand, Review

Historically, geographically, culturally – there are many points of comparison between Australia...

Russian Drama Performed On Intimate London Stages

Posted by Phoebe Taplin | 9th Feb 2014 | News, Russia, Transcultural Collaborations

Chekhov’s Cherry Orchard blooms in a Camden pub while his Three Sisters take the stage in Euston....

The Experimental “Cadavre Exquis” At Sydney Festival

Posted by Ian Maxwell | 30th Jan 2014 | Australia, Devised Theatre, Festivals, Review, Sydney

The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...

Magda Romanska on Dramaturgy and Opera

Posted by Magda Romanska | 28th Jan 2014 | Dramaturgy, Interview, Theatre and Opera, United States of America

BLO: What is a dramaturg? MR: In its broadest and earliest definition, dramaturgy means a...

Poland’s Teatr “Cinema”: Over 20 Years of Surrealist Collage

Posted by Dara Weinberg | 28th Jan 2014 | Essay, Poland, Review

The group of visual artists and actors who comprise the surrealist dance-theater Teatr...

“Black Diggers” Memorializes Indigenous WWI Soldiers

Posted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney

In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...

Intercultural Exchanges In “Chi Udaka” At Sydney Festival

Posted by Amanda Card | 20th Jan 2014 | Festivals, Review, Sydney, Transcultural Collaborations

There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...

Workcenter of Grotowski and Richards’ Open Program in NYC

Posted by The Theatre Times | 18th Jan 2014 | News, United States of America

This winter, the Open Program team of the legendary Workcenter of Jerzy Grotowski and Thomas...

Featured

Review: Love And War In “All’s Well That Ends Well”

New Wave of Chilean Theater

We Need More Racial Diversity On The Stage, Both Sides Of The Pond

Bosco Israel Cayo Álvarez: Chilean Playwright and Actor

An Interview With Claudia Hidalgo, Chilean Playwright

Interview with María González: Chilean Playwright

Interview with Catalina Martín: Chilean Playwright and Actress

Interview with Sandra Burmeister

Connecting Shakespearean “Roman Tragedies”

Theatre for Dialogue Confront the Unrest in Ukraine

Review: “Cock”

The “Masking” of Immigrant New Zealanders

Russian Drama Performed On Intimate London Stages

The Experimental “Cadavre Exquis” At Sydney Festival

Magda Romanska on Dramaturgy and Opera

Poland’s Teatr “Cinema”: Over 20 Years of Surrealist Collage

“Black Diggers” Memorializes Indigenous WWI Soldiers

Intercultural Exchanges In “Chi Udaka” At Sydney Festival

Workcenter of Grotowski and Richards’ Open Program in NYC

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