Featured Archives - Page 251 of 252

Les Kurbas’ Descendants

Posted by Iryna Chuzhynova | 12th Apr 2012 | Festivals, News, Russia

Modern and avant-guard as an extreme attempt of national revival. Large-scale international...

Kyiv Pectoral: The Theater On Podil Wins 6 Out Of 14 Awards

Posted by Iryna Chuzhynova | 29th Mar 2012 | Festivals, News, Ukraine

Unfortunately, the 20th anniversary of Ukraine’s only professional theater award failed to become...

Bogusław Schaeffer: Poland’s Renaissance Man

Posted by Magda Romanska | 19th Feb 2012 | Essay, Poland, Transmedia

Polish theatre has gained world renown thanks to its innovative and bold experimental style. In...

Artur Żmijewski’s “The White Mass” – On Church and Theatre

Posted by Piotr Gruszczynski | 22nd Jan 2012 | Poland, Review, Theatre and Politics

Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...

Greek Chorus Variations: Oratorium Dance Project

Posted by Dara Weinberg | 28th Dec 2011 | Essay, Poland, Theatre and Dance

Theatre Association, based in Łodź, which runs a theatre and education center offering a series of...

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Posted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review

Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

Posted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review

“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...

But Why Are They Indispensable?

Posted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review

In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

Posted by Pawel Soszynski | 22nd Sep 2011 | Directing, Poland, Review

What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...

If You Were To Do Tadeusz Różewicz’s “The Card Index”…

Posted by Pawel Ploski | 7th Jun 2011 | Adaptation, Poland, Review

The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...

Death In Wroclaw: On Grotowski’s Legacy

Posted by Pawel Soszynski | 7th Apr 2011 | Directing, News, Participatory Theatre, Poland, Polish Theatre Abroad, Theatre and Film

In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...

Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto

Posted by Paul Bargetto | 22nd Feb 2011 | Directing, Interview, Playwriting, Poland, Polish Theatre Abroad

I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...

You’re Welcome, Ms. Müller

Posted by Joanna Wichowska | 5th Feb 2011 | Adaptation, Poland, Review

In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...

Who’s Who And Why: Małgorzata Sikorska-Miszczuk

Posted by John Biweekly | 6th Dec 2010 | Interview, Playwriting, Poland

In this section, we introduce Polish artists, places, and new phenomena. We always ask the person...

World Premiere: Ousmane Aledji’s “Traumatism”

Posted by The Theatre Times | 9th Nov 2010 | Benin, Review

On October 27, 28 & 29, 2010 at 8pm AfricAvenir presented the world premiere of the theatre...

Xenakis The Punk: Talk With Michał Zadara

Posted by Agata Diduszko-Zyglewska | 30th Aug 2010 | Interview, Poland, Theatre and Opera

I didn’t really know Xenakis before, but it turned out that he touches the precise parts of my...

War Children: The Heart Of Darkness

Posted by Tomasz Cyz | 14th Aug 2010 | Essay, Poland, Theatre and Opera

Jan Kott wrote that in Shakespeare’s Macbeth, history is shown as a nightmare, something that...

Stage Trust: Talk With Renate Jett

Posted by biweekly.pl | 14th Aug 2010 | Acting, Interview, Poland

I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...

Theatre Matter: Magda Fertacz

Posted by Magda Fertacz | 14th Jul 2010 | Interview, Playwriting, Poland

Theatre is this section’s subject matter. For we love the stage and its (r)evolution. In this...

Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel

Posted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland

I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...

Featured

Les Kurbas’ Descendants

Kyiv Pectoral: The Theater On Podil Wins 6 Out Of 14 Awards

Bogusław Schaeffer: Poland’s Renaissance Man

Artur Żmijewski’s “The White Mass” – On Church and Theatre

Greek Chorus Variations: Oratorium Dance Project

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

But Why Are They Indispensable?

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

If You Were To Do Tadeusz Różewicz’s “The Card Index”…

Death In Wroclaw: On Grotowski’s Legacy

Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto

You’re Welcome, Ms. Müller

Who’s Who And Why: Małgorzata Sikorska-Miszczuk

World Premiere: Ousmane Aledji’s “Traumatism”

Xenakis The Punk: Talk With Michał Zadara

War Children: The Heart Of Darkness

Stage Trust: Talk With Renate Jett

Theatre Matter: Magda Fertacz

Interview With Krystian Lupa: Start Singing And You’ll Know What You Feel

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