Prospero Revisits Lorca’s Capacity to Speak to Our Times
The Economist’s cultural and literary blog Prospero, recently published an interesting article on...
Read MorePosted by Mara Valderrama | 10th Aug 2016 | Review, Spain
The Economist’s cultural and literary blog Prospero, recently published an interesting article on...
Read MorePosted by Julian Meyrick | 10th Aug 2016 | Australia, Essay, Playwriting
The first Australian National Playwrights Centre (ANPC) was founded in 1973 – the age of bongs,...
Read MorePosted by Mischa Twitchin | 9th Aug 2016 | Essay, Festivals, Poland
Last year the Malta Festival in Poznan celebrated its 25th anniversary. Now a well-established...
Read MorePosted by Olisa. TV | 9th Aug 2016 | Festivals, News, Transcultural Collaborations
Lagos Theatre Festival (LTF) is the largest performing arts festival in Nigeria and indeed West...
Read MorePosted by Kenneth Wardrop and Anna Leask | 7th Aug 2016 | Essay, Festivals, Scotland, United Kingdom
The Edinburgh Festival is upon us again, a three-week spectacular that turns the Scottish capital...
Read MorePosted by David McInnis | 5th Aug 2016 | Australia, Review
While the rest of the world is marking the 400th anniversary of William Shakespeare’s death,...
Read MorePosted by Will Worley | 4th Aug 2016 | Musical Theatre, New York, News, Participatory Theatre, Theatre and Politics, United Kingdom
A “profound and numbing” play dedicated to the powerful psychedelic drug ketamine is due to open...
Read MorePosted by Ilinca Todoruţ | 3rd Aug 2016 | Interview, Transmedia
Christina Papagiannouli directs and devises cyberformances on online platforms such as UpStage and...
Read MorePosted by Lucy Rose Coren | 2nd Aug 2016 | Dramaturgy, Essay
The role of the dramaturg within text-based theatre is currently prescriptive and limiting. There...
Read MorePosted by The Theatre Times | 2nd Aug 2016 | LGBTQ+ Theatre, Review, United Kingdom
Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...
Read MorePosted by Bryoni Trezise | 2nd Aug 2016 | Australia, Essay, Theatre and Disability
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
Read MorePosted by Alexandra Coghlan | 1st Aug 2016 | Australia, Interview, Theatre and Opera
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
Read MorePosted by Mara Valderrama | 1st Aug 2016 | News, Spain
The Almagro Classical Theatre Festival held its 39th edition this month of July, with a special...
Read MorePosted by Oleg Krasnov - Russia Beyond Headlines | 31st Jul 2016 | Essay, Russia
Learn how to galvanize an enormous auditorium, tame an usherette and get the best seat in the...
Read MorePosted by Tunji Azeez | 30th Jul 2016 | News, Nigeria
The months of June and July are memorable months in the calendar of Nigerian Theatre lovers,...
Read MorePosted by Marjan Moosavi | 29th Jul 2016 | Festivals, Iran, Review
Hearing by Amir Reza Koohestani to be Performed at Festival d’Avignon, July 21-24, 2016 Iranian...
Read MorePosted by Marjan Moosavi | 28th Jul 2016 | Iran, Review, Theatre and Politics
The Whispers Behind the Battle Line is written by Alirezā Nāderi and directed by Mohammad Rezā...
Read MorePosted by Marta Keil | 28th Jul 2016 | Management, News, Poland
The institution of the theatre constitutes a form of public/shared space. The public theatre...
Read MorePosted by Nobuko Tanaka | 26th Jul 2016 | Design, Japan, News, Review
For gamers and lovers of sheer theatrical spectacle alike, the summer’s hottest ticket seems sure...
Read MorePosted by Nobuko Tanaka | 26th Jul 2016 | Interview, Japan, Theatre for Young Audiences
“Gloomy,” “eerie,” “vulgar,” “avant-garde” and “conceptual” are adjectives often used to describe...
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