Kyoto As A Stage For World Theatre – An Interview With Kyoto Experiment Program Director Yusuke Hashimoto
Kyoto Experiment is one of Japan’s major international theatre festivals, along with...
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Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
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“The Long Forgotten Dream” Raises Uneasy Questions About Performance And Colonization
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
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“Remembering Stanislavsky”: A Tribute To The Great Russian Master At The University Of Macerata
August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
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Obituary Of Hazem Azmi: Egyptian Theatre Critic And Scholar
Egyptian theatre researcher, translator, and critic Hazem Azmi has died on July 10 at the age of...
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The Beauty Of The Bodrum Ballet Festival
The artistic quality of the International Bodrum Ballet Festival gets better with each passing...
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Lysistrata In The New World: A Rereading Of The Greek Comedy That Surpasses Its Source Of Inspiration
Odyssey Theatre has at last been reborn under the stars in this Canadian premier. After a period...
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Good Theatre Surpasses Language: An Interview with Mari-Liis Lill, Estonian Actress
Interviewers: Liisi Aibel, Heidi Aadma In our small country, the Estonian and Russian theatre...
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“Skintight” Takes Beauty to Task
Skintight hinges on the human eye’s instinct for voyeurism, on our inevitable desire to take a peek, to stare at something we know we shouldn’t.
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Technology And Disability Performance: Our Shifting Perspectives.
Over the last 20 years, the development of technology in performance has made us question what is...
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Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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“Melancholia” Artfully Brings The End Of The World To The Stage
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
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The State Of Artistic Freedom 2018
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
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From Child Stars To Lost Theatres: Capturing Australia’s Ephemeral History Of Live Performance
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
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Actor Cures Stroke After Setting Up Theater At Psychiatric Hospital
Have you ever watched a staging of Chekhov where all the roles are played by patients at a...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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Gloster, The Reptile: Andrei Şerban’s “Richard III”
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
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For The Love Of Kunqu: Hong Kong Chinese Opera Festival 2018
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
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Searching For The Homeland: Gerish Khemani And Akshat Nigam’s Play Explores Memory, Loss, Exile, And Roots
One of the great subcontinental migrations, and one that has arguably been slowly erased from...
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“African Gothic” Heads To The Joburg Theatre
UJ Arts & Culture (a division of FADA) is proud to present the Johannesburg run of Reza de...
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