Remembering Veenapani Theatre Festival Financed By Crowd-Funding
A crowd-funding campaign that has quietly been doing the rounds of theatre circles is now...
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News
From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
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More Than 31,000 People Enjoy the Magic of the First International Festival of Live Arts Loja
On November 17–27, 2016, Loja, considered the cultural capital of Ecuador because of its long...
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Moscow Theater Performance of “Anna Karenina” to Play at a Cinema Near You
The Vakhtangov Theatre’s interpretation of Leo Tolstoy’s famous novel, Anna Karenina, is...
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The Need for Supertitles or Not
Two shows recently seen at the Under The Radar festival in New York gave me the opportunity to...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part II
The year 2016 was marked by theatre artists resisting narratives imposed by the Polish government...
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A Bird’s-eye View on Iranian Theatre in 2016
The highlights of Iranian theatre in the last 12 months (1394–1395 Persian calendar) include...
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Howard Barker and The Curious Case of the Chinese Play With the All-white Cast
This week, In the Depths of Dead Love opened at The Print Room in London. The play, by Howard...
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AbOriginal Theatre’s “Fractures” – Nigerian Adaptation of Arthur Miller’s “A View from the Bridge”
AbOriginal Theatre, the theatre arm of AbOriginal Productions, returned with its latest theatrical...
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Musical About Fidel Castro Aims to Present Historical Complexity
The response to the death of Cuban revolutionary leader Fidel Castro has been striking for its...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part I
The final Polish premiere of 2016 was Triumf Woli [The Triumph of the Will] prepared by the...
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Obituary: Nehad Selaiha, Renowned Theatre Scholar And Activist Dies
On January 6th, the Egyptian culture scene lost one its highest pillars, Nehad Selaiha, a woman...
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Tribute to 25 Years of Theatre of the Andes
The idea of celebrating the 25 years of Theatre of the Andes (Teatro de los Andes) was born from...
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Building Bridges: A Transcultural Collaboration Between Spain and the UK
Rodrigo Arribas (from Span’s Fundación Siglo de Oro) describes the transnational collaborative process that gave rise to his company, which has been the first to present a non-English speaking author at the Shakespeare Globe. Reflecting on the models that have arisen from the collaboration between Spain and the UK, he reflects on what differentiates and unites us in theatre.
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Boska Komedia: Krakow’s Divine Comedy Festival
The Boska Komedia festival (“Divine Comedy”) in Krakow is one of the highlights of Polish theatre...
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Streaming Opera and Media: “Secondary Dominance” at PROTOTYPE
PROTOTYPE captures the opera lover’s attention again this year, with offerings that...
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A Golden Age of Theater for Japan’s Seniors
At the age of 91, Saitama resident Izumi Noguchi is speaking at his first press conference — at...
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German Children’s And Young People’s Theatre Prizes Aim To Promote Theatre For Young Audiences
Since 1996, the German Children’s Theatre Prize and the German Young People’s Theatre Prize are...
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The 5th Edition of the High Season Festival in Buenos Aires (TABA) With Works from Spain, Chile, Perú, Uruguay
The fifth edition of TABA, organized by TIMBRe4 and the Girona High Season Festival, a classic of...
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The Best Live Theatre Coming to UK Cinemas in Early 2017
World-class theatre is becoming an ever growing presence in UK cinemas. Chains like Curzon, Vue...
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