Inside Preparations for the New York Chekhov Festival
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
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Interview
Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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“Dark Matter”: An Interview With Lighting Designer Martyn Roberts
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
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Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote
Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...
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Interview With Rabih Mroué: Micro-Narratives, The Immediacy Of Time, And Audience Perception
In this interview, Rabih Mroué talks about micro-narratives, the ability of theatre to enact a...
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Karna is Not Black or White but a Mortal: Interview with Bangladeshi director Jayita Mahahlanobish
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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“Bat Out of Hell”—The Musical Opens in Manchester. Interview With Director Jay Scheib
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
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Spaces of Agency: Conversation with Maya Zbib of Zoukak Theatre Collective and Cultural Association
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
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Feedback, Ladders and Outside Eyes: Talking Dramaturgy with Michael John O’Neill
Dosed up on caffeine on another rainy day in Glasgow. Ideal conditions to talk about dramaturgy...
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Mobile Opera “Hopscotch” in Concert and Conversation
Yuval Sharon took a moment while driving to discuss the January 13 release of his mobile opera,...
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Practising Blind Support and Doing Everything in the Moment: Talking Dramaturgy with Will Naameh
An interview with Edinburgh-based improviser Will Naameh about dramaturgy and improvisation....
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An Interview With Contemporary Dance Artist David Hernandez: ‘Doing What You Want Is a Privilege, and a Nightmare’
In her research, theatre scholar Annelies Van Assche investigates the working and living...
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Gaming and the Future of Dramaturgy: Goethe’s “Faust” as an Immersive and Interactive Experience
Peter Lee is the founder of NOLGONG, the Seoul-based game design company, which is also producing...
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Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
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Between the Niche and Disneyland: Interactive Performance Design for Virtual Theatre & Games
Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...
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A Conversation With Katie Day on Theatre, Big Data, and Narrative Design
A conversation with Katie Day (founder and artistic director of The Other Way Works company) about...
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On Audience Outreach and Gaming: Conversation With Kirsty Sedgman
Kirsty Sedgman‘s background is in performance studies, which, according to her, tends to make big...
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From Virtual Corporeality to Nano-Spectacles: Interview With Mirko Stojkovic
Interview with Mirko Stojkovic dramaturg, video game developer and university teacher about...
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