Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part II
To read Part I of this interview, click here. Amin Azimi is an Iranian theatre researcher,...
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Interview
Analog Virtual Reality Worlds of SIGNA Performance Group
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part I
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
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“Faithful Ruslan ” Flying After an Ideal: Interview with Helena Kaut-Howson
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
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Conversation with Simon Stephens About Teaching Playwriting – Part 2
For Part 1, click here. Ana: I really wanted to interview you because I think what is outstanding...
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Interview With Jin Xing on Drama, Dance, Freedom
Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...
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In Conversation With Simon Stephens About Teaching Playwriting – Part 1
As part of the research to write my book The Global Playwriting Workbook (Methuen Drama), I have...
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Doing Time, Passing Time, Wasting Time: an Interview with Taiwanese-American Artist Tehching Hsieh
“Downtown Manhattan, 30th September 1978. Tehching Hsieh, a young Taiwanese artist, begins to make...
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An Interview With Dima Levytskyi, Post-Dramatic Writer
Theatrical season of 2016-2017 finally brought post-dramatic theater to Ukraine. With a...
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In Conversation With Rithisal Kang About Amrita Performing Arts In Cambodia
ASEF culture360 contributor David Fernández talks with Executive Director Rithisal Kang about the...
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Interview with Romain Guimard, Acrobat with the French Compagnie XY
The company of acrobats known as XY is touring the United States (Discovery Conservancy Green,...
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Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics
As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.
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Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta
While working on her MFA in Writing from the University of San Francisco, playwright Marisela...
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Listening, Balance and Why It’s Everything: Talking Dramaturgy With Rosie Kellagher
A conversation about dramaturgy and New Writing with Rosie Kellagher, Literary Manager for the...
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Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York
Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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Stories of Diversity: An Interview with Martyna Majok
Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...
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Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
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Walter Byongsok Chon on Dramaturgy: Interview with LMD
Walter Byongsok Chon is an assistant professor of dramaturgy and theatre studies at Ithaca...
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An Interview with Dorothea Marcus and Till Briegleb, Two Jury Members of the Berlin Theatre Meeting
An interview with Dorothea Marcus and Till Briegleb, two jury members of the Berlin Theatre...
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