Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
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Essay
Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
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Between Freedom and Manipulation: The Situation of Actors in “Factory 2
Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...
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The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
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Augmented Reality or Augmented Space?
Architectural mapping, façade projection, 3D projection videomapping, display surfaces,...
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Contemporary Dramaturgies in the Performing Arts in Denmark: Report from a Conference Celebrating 60 Years of Dramaturgy at Aarhus University, Denmark
In The Routledge Companion to Dramaturgy (2016), Magda Romanska argues that if the twentieth...
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Yet Another White Album
If modernity is a stage, the artwork is its main prop. And in a culminating planetary crisis,...
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Shakespeare’s “The Tempest” Explores Colonialism, Resistance and Liberation
Last winter, at the Studio Theatre at Ryerson University in downtown Toronto, Canadian actor...
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“Augustine’s Dream:” A Work in Development
Augustine’s Dream was presented in July 2019 at the Providence Fringe by AnomalousCo. An...
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Shadow Theatre: Performance and the Imaginary in Contemporary Egypt
An essay by Nora Amin that traces the presence of shadow theatre within the modern and...
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Living Skill At Work
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
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Leila Waddell: Hidden Women of History
Leila Waddell (1880-1932) was a country girl from Bathurst, NSW, who entered the world stage as an...
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Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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All We Need is Audience Development?
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
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Translating Trojan Horses
In 2019, Ayesha Manazir Siddiqi was asked to translate Trojan Horse, a play by Lung Theatre based...
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Thrown into the Deep End! A Participant’s Perspective from The Kennedy Center New Play Dramaturgy Intensive 2019
Students and early career dramaturgs were invited to The John F. Kennedy Center for Performing...
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Playing the Family: Dramaturgy in Peeping Tom’s Family Trilogy
Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...
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Dance in the Extreme Southwest of Europe
You can also read this article in Portuguese. The trajectory of Portuguese dance mirrors the...
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“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
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