Interview With Mohammad Yaghoubi, Acclaimed Iranian Playwright and Director
Acclaimed Iranian playwright Mohammad Yaghoubi was in Toronto directing the Canadian premiere of...
Read MorePosted by Marjan Moosavi | 15th Oct 2016 | Interview, Iran, Playwriting
Acclaimed Iranian playwright Mohammad Yaghoubi was in Toronto directing the Canadian premiere of...
Read MorePosted by Margaret Rose | 15th Oct 2016 | Dramaturgy, Essay, Italy, Playwriting
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
Read MorePosted by Christine Wahl | 9th Oct 2016 | Essay, Germany, Playwriting
The new theatre texts that have been presented in the 2015/16 season at play markets in...
Read MorePosted by Marjan Moosavi | 27th Sep 2016 | Iran, Playwriting, Review
Playwright Nassim Soleimanpour grabbed the attention of international theatre community by his...
Read MorePosted by TheHindu.com | 8th Sep 2016 | India, News, Playwriting
Thomas Manuel was one of three shortlisted playwrights, the other two being Meera Sitharaman for...
Read MorePosted by Mary Mazzilli | 7th Sep 2016 | China, Essay, Playwriting
In his 400th anniversary year, Shakespeare is still rightly celebrated as a great wordsmith and...
Read MorePosted by Walter Byongsok Chon | 1st Sep 2016 | News, Playwriting, South Korea
Compared to productions of Western or Korean classics, Broadway revivals or original musicals,...
Read MorePosted by Julian Meyrick | 10th Aug 2016 | Australia, Essay, Playwriting
The first Australian National Playwrights Centre (ANPC) was founded in 1973 – the age of bongs,...
Read MorePosted by Bojana Jankovic - Exeunt Magazine | 17th Jun 2016 | Essay, Playwriting, Translation
Bojana Janković calls out British theatre’s extreme reluctance to stage plays that...
Read MorePosted by Phoebe Taplin | 27th May 2016 | Essay, Playwriting, Russian Theatre Abroad, United Kingdom
British stages have long been in love with Anton Chekhov and Nikolai Gogol, but there is...
Read MorePosted by Fides Schopp | 1st May 2016 | Austria, Interview, Playwriting
College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...
Read MorePosted by Nobuko Tanaka | 25th Feb 2016 | Japan, Playwriting, Review
“At last, the masterpiece Yakiniku Dragon (Korean Barbecue Dragon) is going to be staged again!”...
Read MorePosted by Julian Meyrick and Elizabeth Schafer | 23rd Nov 2015 | Australia, Playwriting, Review
In one sense every play staged is a play for its times. Something about it attracts, provokes or...
Read MorePosted by Aleena Karim | 18th Jun 2015 | Essay, Playwriting, Russia
Aleena Karim interviews John Freedman, an acclaimed American critic, translator and playwright, on...
Read MorePosted by Julian Meyrick | 30th Apr 2015 | Australia, Dramaturgy, Essay, Playwriting
This is a long-read essay, the third in a series on playwriting and drama by Julian Meyrick. Read...
Read MorePosted by Julian Meyrick | 8th Apr 2015 | Australia, Essay, Playwriting
We all know whether a given play, film or TV drama “works” or not, but it’s often difficult to...
Read MorePosted by Victoria Grieves | 23rd Feb 2015 | Australia, Playwriting, Review
Last week I went to the theatre. Unusual? No. But I say this because this event was real theatre...
Read MorePosted by John Freedman | 4th Dec 2014 | Essay, Playwriting, Russia
This is the second installment in John Freedman’s TheaterPlus video blog, which now appears...
Read MorePosted by John Freedman | 17th Nov 2014 | Essay, Interview, Playwriting, Russia, Translation
Back when I used to publish a blog called TheaterPlus on the website of The Moscow Times, I would...
Read MorePosted by The Theatre Times | 9th Oct 2014 | Europe, Interview, Playwriting, Translation
Ulrike Syha: When was Eurodram, a network for drama in translation, founded? What was the initial...
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