Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
Read MorePosted by Ina Doublekova | 26th Jan 2025 | Interview, Producing, Theatre and Politics
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
Read MorePosted by Margaret Rose | 24th Jan 2025 | Immersive Theatre, Italy, Review
Director Romeo Castellucci is coming to the end of a four-year collaboration with Milan’s...
Read MorePosted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Morgan Skolnik | 22nd Jan 2025 | New York, Review, Theatre and Disability
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by Morgan Skolnik | 17th Jan 2025 | Interview, Musical Theatre, New York
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
Read MorePosted by Andrew Agress | 15th Jan 2025 | Festivals, Interview, New York, United States of America
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MorePosted by Marcina Zaccaria | 7th Jan 2025 | Interview, New York, Playwriting
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
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