All You Need to Know About the 5th Sharm El-Sheikh Int’l Theatre Festival for Youth
The management of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY) revealed...
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Month: November 2020
Young European Voices Exploring Hopes and Dreams
Young Europe III Raising young people’s voices across Europe, exploring their hopes and dreams,...
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21st Century Dreamin’: Theater — a Major Job Sector
Once the COVID-19 pandemic finally relinquishes its control of the world economy, the impact of...
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Theater in Translation at the British Centre for Literary Translation
The annual International Literary Translation & Creative Writing Summer School is delivered in...
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“Break” by Monia Sander Haj-Mohamed
Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? I have probably...
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A Big Small Story
Subdued browns, grays and black dominate the stage. The impression of a vast empty space is...
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It’s Okay Not To Be Okay: A Conversation with Irish Playwright Lee Coffey
It’s been six years since Leper and Chip played to sold-out Dublin audiences with critical...
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Audience Development – Empowering Youth Through Theatre: Theatre Not Only For, But With the Youth
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
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About “A Coin In Someone Else’s Pocket”
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
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Audience Development – Empowering Youth Through Theatre: “Democrisis”
Why democracies are not about doing the right thing, but about how the right thing is always being...
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“The Prom”: The Challenges of Adapting The Stage to The Screen
There is growing excitement for the star-studded release of the Netflix film adaptation of the...
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Experimental Forms and Performative Research: When the Classroom Learns to Fly
In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...
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Vsevolod Meyerhold: The Revolutionary Communist Director Executed By Stalin
Vsevolod Meyerhold was a personality of great contradictions, and one of the movers and shakers in...
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Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
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Philip Ridley’s “The Poltergeist” at the Southwark Playhouse: High-Powered Tour de Force
Playwright Philip Ridley has had a very productive lockdown. Despite the constraints of the...
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Perspectives on the Internationalization of Theatre: An Interview with Thomas Irmer
Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit,...
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Performance Pugilism in the Pandemic – The Social Distance Showdown
The first Social Distance Showdown International Virtual Stage Combat Workshop took place on May...
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Interview: Disabled Artists Reinterpreting the Wellcome Collection
From ancient tattooed skin to dental mouth gags, Unlimited’s latest collaboration with the...
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The Art and Skills of Theater Festival Selections: An Interview with Slobodan Savic
Slobodan Savić (born in Požarevac in 1964) is an author, theatre critic, writer, and journalist....
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Experimental Forms and Performative Research: Creating a Language For and With Young Audiences
The Slovak National Theatre generally stages the major classics, adaptations of novels, and...
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