“Don’t Read The Comments” (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
Read MorePosted by Leah Jane Esau | 16th Jul 2018 | Canada, Review, Theatre and Politics
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
Read MorePosted by Simon Callow | 15th Jul 2018 | Books, Essay, Playwriting, United Kingdom
Peggy Ramsay (1908-1991) was the foremost play agent of her time. Her list of clients shows her to...
Read MorePosted by Andreea S. Calude, Laura Haughey, and Kellye Bensley | 15th Jul 2018 | Essay, New Zealand, Theatre and Disability
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
Read MorePosted by Kasia Lech | 14th Jul 2018 | Festivals, News, Poland, Polish Theatre Abroad
The 2018 Edinburgh Fringe will be particularly exciting for those interested in Polish theatre....
Read MorePosted by Maria João Guardão | 14th Jul 2018 | Essay, Participatory Theatre, Portugal
This is Part 2 of a 2 part article. Read Part 1 here. The contemporary performing arts scene As...
Read MorePosted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
Read MorePosted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
Read MorePosted by Christine Deitner | 12th Jul 2018 | Los Angeles, Review, Translation, United States of America
There are plays that feel timeless because they strike familiar chords and speak to something at...
Read MorePosted by Aleks Sierz | 12th Jul 2018 | London, Review, Theatre and Gender, United Kingdom
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
Read MorePosted by Jamie Portman | 11th Jul 2018 | Canada, Festivals, Review
STRATFORD—We find ourselves immediately plunged into the opening shipwreck scene: sails flapping...
Read MorePosted by Omar Aladin and Mariam Barakat | 11th Jul 2018 | Egypt, Festivals, France, News
Managed by Ahmed El-Attar, the Arab Arts Focus program features artists from across the Arab...
Read MorePosted by Nobuko Tanaka | 11th Jul 2018 | Directing, Japan, News, Playwriting
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
Read MorePosted by Diwan Singh Bajeli | 10th Jul 2018 | India, Review, Translation
Incorporating elements of post-modernism, surrealism and realism, Anjon Bose’s Garbh focuses on...
Read MorePosted by Yulia Savikovskaya | 9th Jul 2018 | Directing, Interview, Russia, United Kingdom
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
Read MorePosted by Katerina Sinadinovska | 9th Jul 2018 | France, Germany, Review, Theatre and Politics, Translation
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
Read MorePosted by Vikram Phukan | 9th Jul 2018 | Adaptation, India, News
The fourth edition of Aadyam premieres with Atul Kumar’s crime extravaganza—Detective Nau Do...
Read MorePosted by Willow White | 8th Jul 2018 | Canada, Festivals, Review
Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” In Baghdad in the...
Read MorePosted by Jamie Portman | 8th Jul 2018 | Canada, Festivals, Review
The scene does offer some amusement. A benevolent Baroness has embarked on a key initiative in her...
Read MorePosted by Jenette Vizcocho | 8th Jul 2018 | Musical Theatre, News, Philippines
Ina Abuan started off like any other big fan of Sugarfree, but when she was invited to co-author a...
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026