For The Love Of Kunqu: Hong Kong Chinese Opera Festival 2018
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
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Month: July 2018
Searching For The Homeland: Gerish Khemani And Akshat Nigam’s Play Explores Memory, Loss, Exile, And Roots
One of the great subcontinental migrations, and one that has arguably been slowly erased from...
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“African Gothic” Heads To The Joburg Theatre
UJ Arts & Culture (a division of FADA) is proud to present the Johannesburg run of Reza de...
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“Allelujah!” Bridge Theatre: A Sharp Injection Of Cynicism From Alan Bennett
Here’s a chorus line with a difference: the geriatric ward of an under-threat Yorkshire hospital,...
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Virtual Reality In Polish Theatre
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
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Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”
Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...
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Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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A Century Of Queer Performance With Serena Grasso
The Oberon Book Of Queer Monologues, just released, is an astonishing new collection which...
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Problems With Gender Equality In Australia’s Dance Industry
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
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“Linger” Brings Dark Subject Matter Into The Light
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
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I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
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Rory Mullarkey’s “Pity” At The Royal Court
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
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“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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Drum Tao Aims For Blockbuster Grandeur In Its Latest Production
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
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Subverting The Idea Of Nationalism
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
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Four Directors Give Four Reasons To Be Graeae
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
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“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
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Hungarian Contemporary Circus Company Returns To The Biggest Arts Festival Of The World
After last year’s success, the popular Hungarian contemporary circus company Recirquel is...
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“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
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