For The Love Of Kunqu: Hong Kong Chinese Opera Festival 2018
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
Read More
Month: July 2018
Searching For The Homeland: Gerish Khemani And Akshat Nigam’s Play Explores Memory, Loss, Exile, And Roots
One of the great subcontinental migrations, and one that has arguably been slowly erased from...
Read More
“African Gothic” Heads To The Joburg Theatre
UJ Arts & Culture (a division of FADA) is proud to present the Johannesburg run of Reza de...
Read More
“Allelujah!” Bridge Theatre: A Sharp Injection Of Cynicism From Alan Bennett
Here’s a chorus line with a difference: the geriatric ward of an under-threat Yorkshire hospital,...
Read More
Virtual Reality In Polish Theatre
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
Read More
Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”
Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...
Read More
Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
Read More
A Century Of Queer Performance With Serena Grasso
The Oberon Book Of Queer Monologues, just released, is an astonishing new collection which...
Read More
Problems With Gender Equality In Australia’s Dance Industry
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
Read More
“Linger” Brings Dark Subject Matter Into The Light
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
Read More
I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
Read More
Rory Mullarkey’s “Pity” At The Royal Court
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
Read More
“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
Read More
“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
Read More
Drum Tao Aims For Blockbuster Grandeur In Its Latest Production
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
Read More
Subverting The Idea Of Nationalism
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
Read More
Four Directors Give Four Reasons To Be Graeae
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
Read More
“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
Read More
Hungarian Contemporary Circus Company Returns To The Biggest Arts Festival Of The World
After last year’s success, the popular Hungarian contemporary circus company Recirquel is...
Read More
“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
Read MoreLike Us On Facebook
Most Popular Posts
The Queen of Versailles Musical or the Funeral of… 29th October 2025 - “Trilogia Cadela Força – Capítulo II:… 6th August 2025
- “Aşınma” (“Corrosion”): A… 23rd November 2025
- The Filmed Performance “Woodland Bird… 9th November 2025
- James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025
- Nearly Finished 15th November 2025
