December 2017 - Page 2 of 4 - The Theatre Times

A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”

Posted by Diwan Singh Bajeli | 24th Dec 2017 | India, Review

Reinvigorating socially-relevant theatre, M.K. Raina’s recently-staged Kafan and Kafan Chor...

A View From The Bridge: The Dramaturg’s Work on A Play in Translation

Posted by Katalin Trencsényi | 24th Dec 2017 | Essay, Translation, United Kingdom

When talking about translation, statistics show an alarming picture. The United Kingdom has the...

Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival

Posted by Maria Pia Pagani | 23rd Dec 2017 | Festivals, Italy, Review, Romania, Theatre and Opera

Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...

Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington

Posted by David O'Donnell | 23rd Dec 2017 | Directing, New Zealand, Review, Theatre and Gender

Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...

“The Lorax” An Exciting And Transformative Experience For The Whole Family

Posted by Alvina Ruprecht | 21st Dec 2017 | Canada, Review, Theatre for Young Audiences

The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...

Intercultural Theatre Practices – Interview With Frances Barbe

Posted by Valentina Riccardi | 21st Dec 2017 | Australia, Interview, Theatre and Dance, Transcultural Collaborations, Translation

Interview conducted as part of the media partnership between Culture360 and International Theatre...

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

Posted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review

Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...

“Ashes To Ashes,” By Harold Pinter At The Europe Theatre Prize In Rome

Posted by Yana Meerzon | 21st Dec 2017 | Italy, News

The XIV Europe Prize Theatrical Realities went to Susanne Kennedy, Jernej Lorenci, Yael Ronen,...

Theatre As A Public Forum And A Place Of Protest: The #MeToo Revolution In Iceland

Posted by Sigríður Jónsdóttir | 20th Dec 2017 | Iceland, News, Theatre and Gender, Theatre and Politics

In his 1991 book Roman Theatre And Its Audience, Richard C. Beacham forms the theory that the...

Are You Ready to ReOrient? Festival Overview By Vidhu Singh, ReOrient Publications Dramaturg

Posted by Vidhu Singh | 20th Dec 2017 | Festivals, News, North America, Transcultural Collaborations, United States of America

As a team member of the first-time partnership between Golden Thread Productions and Literary...

Out Of Character: How Acting Puts A Mental Strain On Performers

Posted by Leith Taylor | 19th Dec 2017 | Acting, Australia, Essay

Performers are twice as likely as the general population to experience depression, according to...

“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta

Posted by Nicole Birmann | 19th Dec 2017 | Festivals, France, Interview, Theatre and Dance, United States of America

Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...

“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court

Posted by Aleks Sierz | 18th Dec 2017 | Review, Syria, Translation, United Kingdom

The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...

The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”

Posted by Diwan Singh Bajeli | 18th Dec 2017 | Adaptation, India, Review

Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...

Special Needs Whirling Dervishes Tell Their Stories With Theatre Play

Posted by Anadolu Agency | 17th Dec 2017 | News, Theatre and Disability, Turkey

The whirling dervishes group, “Umudun Kanatları” (“Wings of Hope”),...

Israeli Theatre Exposure: A Showcase In Tel Aviv

Posted by Mathias Daval | 16th Dec 2017 | Festivals, Israel, Review

Each year, the Hanoch Levin Institute organizes a showcase of theatre creations: International...

A Mexican Rendition Of Schmitt’s “Enigma Variations”

Posted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review

After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...

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Month: December 2017

A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”

A View From The Bridge: The Dramaturg’s Work on A Play in Translation

Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival

Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I

“The Lorax” An Exciting And Transformative Experience For The Whole Family

Intercultural Theatre Practices – Interview With Frances Barbe

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

“Ashes To Ashes,” By Harold Pinter At The Europe Theatre Prize In Rome

Theatre As A Public Forum And A Place Of Protest: The #MeToo Revolution In Iceland

Are You Ready to ReOrient? Festival Overview By Vidhu Singh, ReOrient Publications Dramaturg

Out Of Character: How Acting Puts A Mental Strain On Performers

“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta

“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court

The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”

Special Needs Whirling Dervishes Tell Their Stories With Theatre Play

Israeli Theatre Exposure: A Showcase In Tel Aviv

A Mexican Rendition Of Schmitt’s “Enigma Variations”

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