“Dream of the Red Chamber” at the 2017 Hong Kong Arts Festival
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
Read MorePosted by Whit Emerson | 10th Jul 2017 | Adaptation, China, Hong Kong, Review, Theatre and Opera, Transcultural Collaborations
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
Read MorePosted by Tobi Adebowale | 10th Jul 2017 | Nigeria
Unstable is the story of an improbable love between a king and possibly one of the lowliest of his...
Read MorePosted by Vikram Phukan | 9th Jul 2017 | Germany, India, Transcultural Collaborations
The past weekend witnessed the culmination of a global theatre project at Theater Freiburg, an...
Read MorePosted by Claire Hansen | 9th Jul 2017 | Australia, Sydney, Theatre and Gender
The Rover, now on at Belvoir Theatre in Sydney, starts unexpectedly, with long-dead 17th-century...
Read MorePosted by Marta Keil | 9th Jul 2017 | News, Poland, Theatre and Politics
Let us consider that the evolution of institutional criticism has been conducted in relation to...
Read MorePosted by Szabolcs Musca | 9th Jul 2017 | Management, Portugal
Mark Deputter was born in 1961 in Belgium. He studied Germanic Languages and Literature, followed...
Read MorePosted by Susan Berardini | 9th Jul 2017 | Argentina
It’s a beautiful Sunday morning in Buenos Aires, and while most tourists are rushing off to the...
Read MorePosted by Namrata Chaturvedi | 8th Jul 2017 | Adaptation, India
Recently, Delhi hosted the dramatic production Ram ki Shakti Puja, by the Banaras-based theatre...
Read MorePosted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
Read MorePosted by The Theatre Times | 6th Jul 2017 | Design, Egypt
The International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) has...
Read MorePosted by Gustavo Guenzburger | 6th Jul 2017 | Brazil, Theatre and Politics
The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...
Read MorePosted by Alexander Nderitu | 6th Jul 2017 | Adaptation, Kenya, Theatre and Gender
‘I am wife Number One…I am gold. And then silver, bronze, even charcoal came along!’ This lament...
Read MorePosted by Jyotsna G. Singh | 5th Jul 2017 | New York, Theatre and Politics, United States of America
“All the world’s a stage,” Shakespeare once wrote. In recent weeks, that Shakespearean adage has...
Read MorePosted by The Theatre Times | 5th Jul 2017 | Brazil, Germany, Playwriting
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
Read MorePosted by Trevor Jones | 4th Jul 2017 | Australia, Musical Theatre
Last week’s nominations for the Helpmann Awards, which recognize the performing arts in Australia,...
Read MorePosted by Nobuko Tanaka | 4th Jul 2017 | Japan, Producing
The neighborhood surrounding Yurakucho Station isn’t exactly starved for things to do. The Ginza...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Sandra D'urso | 3rd Jul 2017 | Australia, Theatre and Gender
Alice Birch’s production, Revolt. She said. Revolt again., currently on at Melbourne’s Malthouse...
Read MoreTheatre-goers in Madurai were treated to a relatively new Hindi play Yugpurush – Mahatma ke...
Read MorePosted by Anna Galayda - Russia Beyond Headlines | 2nd Jul 2017 | Design, Essay, Russia
It’s easy to become so engrossed in a performance at the Bolshoi that fascinating details about...
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