“The Museum of Modern Love” Reminds Us to Engage with Art – and Each Other
When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...
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Tag: Sydney Festival
Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music
The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...
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Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
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“Bran Nue Dae” Review: Exceptional Singing And Music Obscure The Political Heart Of This Classic Australian Musical
Review: Bran Nue Dae, by Jimmy Chi and Kuckles and directed by Andrew Ross for Sydney Festival....
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“Lady Tabouli” Review: A Hilarious Comedy About Suffocating Expectations
Review: Lady Tabouli, directed by Dino Dimitriadis, National Theatre of Parramatta for Sydney...
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“The Visitors:” A Witty Imagining of What Went Before that Fateful Encounter
Seven senior lawmen discuss what to do about approaching ships in Frederick Copperwaite’s...
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“Deer Woman” Is A Work Of Immense Power And Artistry
One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...
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The Future of Dance Is Underwater: A Review of Eko Supriyanto’s Indonesian Contemporary Dance
Mindful that the adrenaline coursing through your veins must not disturb the rhythm of your...
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Q And A With Author Of “The Tribe”: Michael Mohammed Ahmad
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
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Every Detail Counts In “Wot? No Fish!!” At Sydney Festival
During an artist talk just an hour before performing Wot? No Fish!! on Saturday at the Sydney...
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The Experimental “Cadavre Exquis” At Sydney Festival
The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...
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“Black Diggers” Memorializes Indigenous WWI Soldiers
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...
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Intercultural Exchanges In “Chi Udaka” At Sydney Festival
There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...
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Cocteau’s “La Voix Humaine” Telephone Melodrama
An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the...
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