“Macbeth” at the Donmar Warehouse
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
Read MorePosted by Mert Dilek | 20th Dec 2023 | London, Review, United Kingdom
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Franklin Ugobude | 28th Jul 2019 | Adaptation, Festivals, Lagos Theatre Festival 2019, Nigeria, Review
One of the only three curated shows showcased at the 2019 edition of the Lagos Theatre Festival...
Read MorePosted by Christopher Harris | 31st May 2019 | Festivals, Germany, News, Our Stage European Festival in Dresden 2019
The second day of the festival brings radiant, early-morning sunshine onto the Kleines Haus. Many...
Read MorePosted by Nobuko Tanaka | 21st Oct 2018 | Festivals, Japan, News
If the inclusion of Festival/Tokyo in Tokyo Festival’s diverse program of performing arts is any...
Read MorePosted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom
“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...
Read MorePosted by Sam Abdulla | 16th Aug 2017 | Scotland, Theatre and Disability
Mia: Daughters of Fortune is a play at the Edinburgh Festival Fringe about a young woman who falls...
Read MorePosted by Andrew Edwards | 17th Nov 2016 | Europe, News, Scotland, United Kingdom
David Greig’s artistic directorship at the Royal Lyceum Theatre brings a new Variety Night for Sunday nights in Edinburgh
Read MorePosted by Andrew Edwards | 16th Nov 2016 | News, Scotland, Theatre and Disability, United Kingdom
Birds of Paradise Theatre Company prove that somewhere between Glasgow and Hong Kong, Shakespeare lives
Read MorePosted by Margaret Rose | 15th Oct 2016 | Dramaturgy, Essay, Italy, Playwriting
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
Read MorePosted by Andrew Edwards | 21st Sep 2016 | News, Scotland, Theatre and Gender, United Kingdom
Scotland’s five centrally funded performing companies make formal pledge to achieve a 50/50 gender balance across their boardrooms by 2020.
Read MorePosted by Andrew Edwards | 20th Sep 2016 | Festivals, News, Scotland, Theatre and Disability, United Kingdom
Tramway’s Unlimited Festival at Glasgow is showcasing exceptional new work from disabled artists and trying to make a lasting an impact in Glasgow.
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