Andrei Kureichik’s “Insulted. Belarus”: One Year On
Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...
Read MorePosted by John Freedman | 2nd Sep 2021 | Belarus, Review, Theatre and Politics
Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...
Read MorePosted by Irina Yakubovskaya | 21st Mar 2021 | Interview, Producing, Russian Theatre Abroad, Transcultural Collaborations, Transmedia
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
Read MorePosted by Valeria Paikova | 15th Feb 2021 | Acting, Essay, Russia
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
Read MorePosted by Emiliia Dementsova | 15th Oct 2020 | Puppetry, Review, Russia, Theatre and Politics
If the United States again accuses Russia of interfering in the election, it will almost certainly...
Read MorePosted by Susanna Weygandt | 28th Aug 2020 | Documentary Theatre, Review, Russia, Theatre and Politics
Documentary dramas engage the audience with social issues, and in Russia, documentary drama...
Read MorePosted by Russia Beyond | 18th Mar 2020 | Design, News, Russia
Designers have revealed renderings of their project that is to grace the Urals. American studio...
Read MorePosted by Oleg Yegorov | 18th Jan 2020 | News, Russia, Theatre and Opera
The Moscow-located Bolshoi theatre quite literally translates to “Big” Theatre. And...
Read MorePosted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Alex Trustrum Thomas | 11th Sep 2019 | Documentary Theatre, Interview, Russia, Russian Theatre - Featured, Theatre and Politics
Whatever preconceptions you have about documentary theatre, set them aside when you step inside...
Read MorePosted by Aleks Sierz | 14th May 2019 | London, Review, United Kingdom
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...
Read MorePosted by Pavel Rudnev | 22nd Mar 2019 | Review, Russia, Russian Theatre - Featured
Pavel Rudnev reviews “Exile” at the Mayakovsky Theatre in Moscow.
Read MorePosted by Pavel Rudnev | 28th Feb 2019 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
In the year 2017 Russian society passed through the jubilee of the Bolshevik Revolution. It would...
Read MorePosted by Emiliia Dementsova | 22nd Feb 2019 | Essay, Russia, Russian Theatre - Featured
On the eve of 2019’s “Year of Theatre” in Russia, Emiliia Dementsova looks back...
Read MorePosted by Emiliia Dementsova | 25th May 2018 | Adaptation, Essay, Russia, Russian Theatre - Featured
It is impossible to put it in writing, but to record the horror of the thing here is a black cross...
Read MorePosted by Yulia Shamporova | 12th May 2018 | News, Russia, Russian Theatre Abroad
There is enormous variety when it comes to Russian theatre shows. Russia Beyond has compiled a...
Read MorePosted by Zhanna Zaretskaya | 20th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Note from TTT: Alexei Malobrodsky, former director of Moscow’s Gogol Center, has been in pretrial...
Read MorePosted by Marina Davydova | 5th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...
Read MorePosted by Jessica Hinds-Bond | 27th Jan 2018 | Review, Russia, Russian Theatre Abroad
Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...
Read MorePosted by Pavel Rudnev | 25th Jan 2018 | Dramaturgy, Essay, Russia, Russian Theatre - Featured
The movement for the renewal of the repertoire and new playwriting in Russia is hardly more than...
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