The Case for “Hadestown”
To escape the mundanity of our own everyday. To revel in the ephemerality of storytelling. To...
Read MorePosted by Aisling Murphy | 27th Jan 2020 | Musical Theatre, New York, Review, United States of America
To escape the mundanity of our own everyday. To revel in the ephemerality of storytelling. To...
Read MorePosted by Mert Dilek | 6th Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Stalkers, heroes, and cult leaders. Depression, maternity, and citizenship. Edinburgh Festival...
Read MorePosted by Holly Rosen Fink | 30th Jun 2019 | Interview, Musical Theatre, New York, United States of America, Women on Broadway and Beyond
Annie Tippe is currently directing the World Premiere of Dave Malloy’s Octet at the...
Read MorePosted by Holly Rosen Fink | 14th Jun 2019 | New York, News, Theatre and Disability, Theatre and Gender, United States of America, Women on Broadway and Beyond
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
Read MorePosted by Holly Williams | 27th Nov 2018 | London, News, Theatre and Opera, United Kingdom
Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...
Read MorePosted by Duška Radosavljević | 25th Aug 2018 | Festivals, Review, Theatre and Politics, United Kingdom
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
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