Tag: Rachel Chavkin

The Case for “Hadestown”

Posted by Aisling Murphy | 27th Jan 2020 | Musical Theatre, New York, Review, United States of America

To escape the mundanity of our own everyday. To revel in the ephemerality of storytelling. To...

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Edinburgh Fringe 2019: Solo Performances

Posted by Mert Dilek | 6th Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom

Stalkers, heroes, and cult leaders. Depression, maternity, and citizenship. Edinburgh Festival...

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Director Annie Tippe on Directing “Octet,” a Musical About Online Addiction

Posted by Holly Rosen Fink | 30th Jun 2019 | Interview, Musical Theatre, New York, United States of America, Women on Broadway and Beyond

Annie Tippe is currently directing the World Premiere of Dave Malloy’s Octet at the...

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Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards

Posted by Holly Rosen Fink | 14th Jun 2019 | New York, News, Theatre and Disability, Theatre and Gender, United States of America, Women on Broadway and Beyond

When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...

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“Hadestown,” The Cult Album That Went To Broadway: “Hades Isn’t Based On Trump–But Trump Might Be Based On Hades”

Posted by Holly Williams | 27th Nov 2018 | London, News, Theatre and Opera, United Kingdom

Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...

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“Status” by The Summerhall: “It’s Not Another Brexit Show,”

Posted by Duška Radosavljević | 25th Aug 2018 | Festivals, Review, Theatre and Politics, United Kingdom

“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...

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