Sharm El-Sheikh Int’l Theatre Festival For Youth Wraps Up Its Poland Monodrama Edition
The monodrama edition of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY),...
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Tag: Poland
Sharm El-Sheikh Int’l Theatre Festival For Youth To Launch Sister Edition In Poland
The Egypt-based Sharm El-Sheikh International Theatre Festival for Youth (SIFTY) is set to launch...
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“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre
Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....
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Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
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Beckett 2020
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
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Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
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Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.
This is PART 3 of the interview. To read PART 1 and PART 2, click the links. Tomasz Wiśniewski:...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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Building Bridges: Interweaving Beckett – Brazil and Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
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Can the World be Saved on Stage?—”How to Save the World on a Small Stage?” at Powszechny Theatre
In the virtual space of the 12th Between.Pomiędzy Festival of Literature and Theatre, a question...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
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How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life
Written in 1918, Lu Xun’s A Madman’s Diary marked the advent of modern Chinese literature....
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CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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Theatres Are Evolving To Reconnect Us To Each Other And The Environment
Theatre is a dynamic art form that combines bodies, light, sound and materials into exciting live...
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Going To War And Making Revolution At The Bâtard Festival
Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...
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The State Of Artistic Freedom 2018
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
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Theatre Against Non-Human Reality: A Few Sentences About the Theatre of the Eighth Day
The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...
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Changing The Landscape Of Puppetry Theatre In Poland: Jakub Krofta And The Wrocław Puppet Theatre
Jakub Krofta is currently the Artistic Director of the Wrocław Puppet Theatre (Wrocławski Teatr...
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Economy/Institution/Democracy
Let us consider that the evolution of institutional criticism has been conducted in relation to...
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