Between Life And Death: A Festival’s Journey Through Tragedy [Part II]
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read MorePosted by The Hindu | 20th Jan 2022 | India, News, Participatory Theatre
Imitation of Death staged in Kozhikode Imitation of Death, a play staged at Zamorin’s Higher...
Read MorePosted by Niloofar Mohtadi | 22nd Jul 2021 | Covid-19, Iran, Participatory Theatre, Review, United States of America
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
Read MorePosted by Aida Rocci | 19th Mar 2021 | Immersive Theatre, Participatory Theatre, Transmedia, United Kingdom
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
Read MorePosted by Christiane Waked | 17th Mar 2020 | Lebanon, Participatory Theatre, Review
The Greek philosopher Plato, summarized what is to be in love as “a serious mental illness.”...
Read MorePosted by Aisling Murphy | 25th Feb 2020 | Canada, Participatory Theatre, Review
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
Read MorePosted by Nutsa Burjanadze | 7th Mar 2019 | Europe, News, Participatory Theatre, Transcultural Collaborations
The European Theatre Lab (ETL) is an international co-operation that brings together several...
Read MorePosted by Aida Rocci | 27th Feb 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
An empty room. A large table. 12 iPads, 12 note pads, and 12 name desk holders that designate “Juror” along with a number. That is the simple setting for The Justice Syndicate, a new piece by fanSHEN. This interactive play revolves around a jury deliberation on a high-profile sexual assault case.
Read MorePosted by Umoren Ubong David | 4th Feb 2018 | Dramaturgy, Essay, Nigeria, Participatory Theatre
Can rhythm in theatre performances be sustained? Composing a moist and spicy story could be quite...
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