Gerald Moon’s “Corpse!” at the Park Theatre: Comedy Thriller In A Tight Spot
The idea of the perfect murder is a genre standard. The fantasy that you are so intellectually...
Read MorePosted by Aleks Sierz | 10th Mar 2020 | London, Review, United Kingdom
The idea of the perfect murder is a genre standard. The fantasy that you are so intellectually...
Read MorePosted by Maria Delgado | 14th Dec 2019 | Argentina, Review, Theatre and Politics
Alfredo Arias has been based in France for many decades now, but he is an increasingly frequent...
Read MorePosted by Armando Rotondi | 13th Nov 2019 | Devised Theatre, Review, Spain
“Denarius World is simple and happy on the surface. Everything is fast-paced, instantaneous...
Read MorePosted by Aleks Sierz | 18th Oct 2019 | Review, Theatre and Disability, United Kingdom
Playwright Peter Nichols died aged 92 last month, just before the opening of this starry West End...
Read MorePosted by Mert Dilek | 10th Oct 2019 | London, Review, United Kingdom
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
Read MorePosted by Aleks Sierz | 22nd Aug 2019 | London, Review, United Kingdom
Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the...
Read MorePosted by Aleks Sierz | 6th Jul 2019 | London, Review, United Kingdom
Once upon a time, farce was one of the most popular of genres in postwar British theatre. Those...
Read MorePosted by Leigh Boucher | 5th Mar 2019 | Australia, Review, Sydney, Theatre and Politics
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
Read MorePosted by Alexander Nderitu | 12th Jan 2018 | Essay, Kenya
“I hate critics!” actor Gerald Langiri bellowed, sparking laughter. But his face...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations
In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 