Gerald Moon’s “Corpse!” at the Park Theatre: Comedy Thriller In A Tight Spot
The idea of the perfect murder is a genre standard. The fantasy that you are so intellectually...
Read MorePosted by Aleks Sierz | 10th Mar 2020 | London, Review, United Kingdom
The idea of the perfect murder is a genre standard. The fantasy that you are so intellectually...
Read MorePosted by Maria Delgado | 14th Dec 2019 | Argentina, Review, Theatre and Politics
Alfredo Arias has been based in France for many decades now, but he is an increasingly frequent...
Read MorePosted by Armando Rotondi | 13th Nov 2019 | Devised Theatre, Review, Spain
“Denarius World is simple and happy on the surface. Everything is fast-paced, instantaneous...
Read MorePosted by Aleks Sierz | 18th Oct 2019 | Review, Theatre and Disability, United Kingdom
Playwright Peter Nichols died aged 92 last month, just before the opening of this starry West End...
Read MorePosted by Mert Dilek | 10th Oct 2019 | London, Review, United Kingdom
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
Read MorePosted by Aleks Sierz | 22nd Aug 2019 | London, Review, United Kingdom
Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the...
Read MorePosted by Aleks Sierz | 6th Jul 2019 | London, Review, United Kingdom
Once upon a time, farce was one of the most popular of genres in postwar British theatre. Those...
Read MorePosted by Leigh Boucher | 5th Mar 2019 | Australia, Review, Sydney, Theatre and Politics
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
Read MorePosted by Alexander Nderitu | 12th Jan 2018 | Essay, Kenya
“I hate critics!” actor Gerald Langiri bellowed, sparking laughter. But his face...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations
In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...
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