Ten Ableist Tropes to Jettison in 2021
Disabled people need people who live in privileged bodies to do better. People with disabilities...
Read MorePosted by Melissa Hillman | 28th Jan 2021 | Essay, Theatre and Disability, United States of America
Disabled people need people who live in privileged bodies to do better. People with disabilities...
Read MorePosted by Madison Parrotta | 8th Sep 2020 | Interview, Theatre and Disability, United Kingdom
In July of 2020, Disability Arts Online (DAO) announced their three Associate Artists—Ashok...
Read MorePosted by Maria Delgado | 13th Dec 2019 | Argentina, LGBTQ+ Theatre, Review, South America, Theatre and Disability
A performance for teenage schoolchildren of Diego Casado Rubio’s Millones de Segundos (English...
Read MorePosted by Abhimanyu Acharya and Sheetala Bhat | 2nd Mar 2019 | Canada, Review, Theatre and Disability
Why Not Theatre’s Prince Hamlet, adapted and directed by Ravi Jain, is a performative exploration of the relationship between aesthetics and disability. Prince Hamlet is a gender-bent, bilingual play which uses English and American Sign Language (ASL).
Read MorePosted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
Read MorePosted by Colin Hambrook | 16th Mar 2018 | Interview, Theatre and Disability, United Kingdom
Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...
Read MorePosted by Kate Marsh and Jonathan Burrow | 9th Oct 2017 | Theatre and Dance, Theatre and Disability, United Kingdom
The notion of “dance and disability” as a sector of the arts in its own right is both...
Read MorePosted by Ben Valentine | 26th Jun 2017 | Cambodia, Theatre and Disability
Last year, I was introduced to a Youtube parody video of Taylor Swift’s Shake it Off by a few...
Read MorePosted by Koos Couvée | 2nd Apr 2017 | Theatre and Disability, United Kingdom
An actor born with defects resulting from the drug Thalidomide has been cast as Shakespeare’s...
Read MorePosted by Olesya Khantsevich | 7th May 2015 | Essay, Russia, Theatre and Disability
A play staged by Moscow’s Theater of Nations has become the first theatrical production in Russia...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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