A play staged by Moscow’s Theater of Nations has become the first theatrical production in Russia to feature both deaf-blind and sighted and hearing actors alongside each other on the same stage. RBTH correspondent Olesya Khantsevich attended a recent performance of The Touchables and spoke to some of the participants.
An unusual play recently opened at Moscow’s Theater of Nations. Dubbed The Touchables: A Life in Art, the production represents not only the first social theater effort undertaken in Russia but also the first ever theatrical piece which involves deaf-blind people performing beside sighted and hearing actors. The play offers a phenomenal cultural experience, both to disabled people and ordinary audiences alike.
The Touchables is an attempt to build bridges between two worlds, to establish communication with the stage as the medium. This idea governs everything, including the set design – the performance takes place on a large catwalk in the center of the hall, with spectator seats placed on both sides of it.
The lighting, the sound, the seats – all of it is designed to facilitate coordination for the deaf-blind actors. Each disabled performer has a sighted and hearing counterpart, serving as their emissary in the world of sounds and colors – telling the story of their lives and attempting to translate their emotions.
These stories – incredibly emotional, touching and sometimes heart-wrenching – are based on in-depth interviews with the protagonists. They tell of how they lost their eyesight and hearing, of how they struggled to deal with it in their youth and how they cope with day-to-day tasks and difficulties in understanding other people today as adults. They recount the wonders of discovering the world using the internet, the moments of fear and the unbearable moments of darkness and silence.
Another facet of the production deals with the complicated specifics of relationships within couples where one always depends on the other – mothers and daughters, fathers and sons, husbands and wives, brothers and sisters, teachers and pupils.
“Deaf-blind people face a lot of challenges – there can be medical or financial issues, not to mention daily chores,” says director Ruslan Malikov, talking about the production. “But the biggest of them all is the issue of communication: ordinary people know far too little about the deaf-blind and vice versa. One of the reasons we do not understand them might be the fact that we often fail to really hear and see even those who are closest to us. This is a problem everybody has to deal with.”
Regardless, the will to live and to improve oneself demonstrated by these actors who are both hearing and visually impaired is nothing short of striking. The protagonists of the play have managed not only to fulfill themselves and find love but also to build successful careers: The participants of the production include a university professor with a Ph.D. in psychology, an editor of a magazine for the deaf-blind, a poet, a writer, a sculptor, a milling machine operator, and a seamstress.
Ingeborga Dapkunaite, who plays the part of the narrator, tells the touching story of the late Olga Skorokhodova, the only deaf-blind person in the Soviet Union to become a speech pathologist, as well as a professor, a literary artist, and a poet.
“People are different. We have different abilities. And we often ignore those who differ from us. This is our ignorance. This performance is our attempt to get to know each other,” says Dapkunaite. After “The Touchables,” the actress, who is involved in many charity projects, became the producer for a similar production of the Russian deaf-blind support foundation So-Yedinenie (Connection).
A Transformative Experience for Actors and Audience
The idea behind The Touchables was first voiced a year ago by Yevgeny Mironov, artistic director of the Theater of Nations, at a meeting of the board of trustees of So-Yedinenie. It was inspired by the Israeli Nalaagat Theater Ensemble – a troupe from Tel-Aviv made up solely of deaf-blind performers.
While the completely disarmed spectators try to hide their tears meeting the previously unknown world of The Touchables, the protagonists are also gaining an unforgettable experience: They express themselves in pantomime, they dance, they listen to the songs performed by the actors by touching their throat, they run around holding hands with their counterparts, they smile.
The deaf-blind actress and poet, Irina Povolotskaya says the experience helped her to open up and to become more confident: “I’ve learned a lot in terms of motion and body mobility on stage. I also feel less constrained in everyday life. The performance lets me accept my condition and gave me an opportunity to enjoy my other senses – touch and smell.”
After the performance, there is long and loud “applause” – the spectators tap their feet on the wooden floor to transmit their admiration and gratitude through vibrations. This is well-deserved, as The Touchables not only shows ordinary people what it is like to sense the world only through touch and smell but also helps them to see themselves in a different light.
This post originally appeared on Russia Beyond on May 5, 2015 and has been reposted with permission.
This post was written by the author in their personal capacity.The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators.
This post was written by Olesya Khantsevich.
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