“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
Read MorePosted by Teodora Medeleanu | 10th Feb 2026 | Essay, Festivals, Poland, Romania, Transcultural Collaborations
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Theatre and AI, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Gowri S | 15th Jul 2022 | Festivals, India, News, Theatre for Young Audiences
The Little Theatre is set to unleash two years of pent-up creativity in its returning edition of...
Read MorePosted by Etcetera | 2nd Jun 2021 | Brazil, Interview, Theatre and Dance, Theatre and Politics
Every month, Etcetera gazes into the soul of a performer. Artistic interest instead of human...
Read MorePosted by Maggie Tonkin | 13th Apr 2020 | Australia, Review, Theatre and Age
Review: Dance Nation, directed by Imara Savage. State Theatre Company South Australia and Belvoir...
Read MorePosted by Gowri S | 3rd Dec 2019 | Devised Theatre, India, News, Theatre and Dance
A young boy from Nepal snatched away from his home in the Himalayas, now lives in a big slum in...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by Mert Dilek | 5th Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Facts can be stranger than fiction. Every year, this truism gets demonstrated afresh—and with an...
Read MorePosted by Yana Meerzon | 21st Jul 2019 | Avignon 2019, Burkina Faso, Devised Theatre, Festivals, France, Review
The focus of this review is inspired by the title and the theme of Salia Sanou’s multidisciplinary...
Read MorePosted by Marié-Heleen Coetzee | 7th Sep 2017 | South Africa, Theatre and Dance
Stark white light from bulbs hanging in a straight line against a white backdrop greets audiences...
Read MorePosted by Aleks Sierz | 26th Jun 2017 | LGBTQ+ Theatre, Review, United Kingdom
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
Read MorePosted by Jagyaseni Chatterjee | 21st Dec 2016 | India, Review, Theatre and Dance
That Bharatanatyam is presented as dance drama is not new. Usage of props and costumes like in...
Read MorePosted by Anny Mokotow | 13th Oct 2015 | Australia, Festivals, Melbourne, News, Transcultural Collaborations
Last week, Melbourne Festival opened with a production from the Belgian dance theatre...
Read MorePosted by Wojtek Ziemilski | 22nd Jul 2012 | Devised Theatre, Directing, Interview, Poland
Talk with Wojtek Ziemilski Look around–nowadays even ads for shoes are often bolder than the...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026