A Dramaturgy Of Desire
What is the transformative potential of party performances? Since venues reopened after the –...
Read MorePosted by Meg Hands | 7th May 2023 | Belgium, Essay, Theatre and Dance
What is the transformative potential of party performances? Since venues reopened after the –...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Delphine Hesters | 25th Dec 2021 | Belgium, News, Transcultural Collaborations
Every three years 1000 young dancers from all over the world audition for PARTS, the renowned school for contemporary dance in Brussels, directed by choreographer Anne Teresa De Keersmaeker. Every three years, only 40 are chosen...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 3rd Dec 2021 | Review, Theatre and Politics, United Kingdom
Why are we indifferent to anti-Semitism? In the past few weeks the Royal Court, a proud citadel of...
Read MorePosted by Alexander Nderitu | 22nd Sep 2021 | Festivals, Kenya, News
The Kenya Theatre Awards seek to fill these two gaps by tracking and watching all performances in the country and providing data and statistics on the number of venues, performances staged, people watching performances in the country. This will be achieved by the Jury and technical team of the Awards who will work in partnership with theatre venues, producers and theatre companies.
Read MorePosted by Molly Grogan Zolima CityMag | 5th Jun 2021 | Adaptation, China, Covid-19, Hong Kong, Review, Transmedia
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
Read MorePosted by Aleks Sierz | 27th Apr 2021 | Review, Transmedia, United Kingdom
Over the past year we’ve become used to a variety of home theatre: recordings of live...
Read MorePosted by Oliver Farry | 15th Apr 2021 | Festivals, Hong Kong, News, Theatre and Disability
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
Read MorePosted by Katarzyna Kułakowska, Katarzyna Kalinowska, Olga Drygas, Michał Bargielski | 1st Apr 2021 | Applied Theatre, Covid-19, Essay, Poland, Transmedia
For Part 1 and 2 go here. Revolution: A Response to a Systemic Crisis Those theaters of ambulatory...
Read MorePosted by Katarzyna Kułakowska, Katarzyna Kalinowska, Olga Drygas, Michał Bargielski | 30th Mar 2021 | Applied Theatre, Covid-19, Essay, Poland
For Part 1 go here. Responding to The Crisis of The Individual: Therapy or Conjuring “Let’s stay...
Read MorePosted by Daniel Johnston | 26th Feb 2021 | Australia, Review, Sydney, Theatre and Art
Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...
Read MorePosted by Aleks Sierz | 10th Feb 2021 | Acting, Covid-19, Review, United Kingdom
Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed....
Read MorePosted by Demirören News Agency | 20th Jan 2021 | Covid-19, News, Turkey
Theaters are now opening virtually after remaining closed for months due to the coronavirus...
Read MorePosted by Aleks Sierz | 15th Jan 2021 | Playwriting, United Kingdom
Ten prompts for writing about the year 2020: 1) “It started with a slight cough, a rather dry...
Read MorePosted by Aleks Sierz | 25th Nov 2020 | Review, Theatre and Religion, United Kingdom
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
Read MorePosted by Leigh Boucher | 9th Nov 2020 | Australia, Playwriting, Review, Sydney
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
Read MorePosted by Kristina Watt | 8th Nov 2020 | Canada, Interview, Theatre and Politics, Theatre for Young Audiences
Over the past two years, I have had the privilege of inviting a group of teenagers in Canada, ages...
Read MorePosted by Damini Nath | 22nd Oct 2020 | Adaptation, India
With a larger than usual stage, spaced out seating for a masked audience and actors armed with...
Read MorePosted by Shilpa Nair Anand | 30th Sep 2020 | India, Puppetry, Transmedia
“The use of Kerala’s traditional puppetry in a music video by director Emcy Joseph throws...
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