Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 6th Mar 2023 | London, Playwriting, Review, United Kingdom
Is anyone still nostalgic about their teen years? The coming-of-age drama is a staple of...
Read MorePosted by Aleks Sierz | 18th Jun 2022 | Dramaturgy, London, Playwriting, Review, Theatre and Decolonization, United Kingdom
In the past, most plays by black-British writers have been about the legacy of the Windrush...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Aleks Sierz | 16th Jan 2022 | London, Review, Theatre and Gender, United Kingdom
It’s a sign of the times that one of my last trips of the year, to Ella Road’s Fair Play at the...
Read MorePosted by Aleks Sierz | 29th Dec 2021 | Review, Theatre and Politics, United Kingdom
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
Read MorePosted by Aleks Sierz | 25th Oct 2021 | London, Playwriting, Review, Theatre and Religion, United Kingdom
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
Read MorePosted by Aleks Sierz | 23rd Jun 2021 | Review, United Kingdom
After months (and months) of watching theatre on screens large, medium, small and tiny, I...
Read MorePosted by Aleks Sierz | 28th Jun 2020 | Review, Theatre and Film, United Kingdom
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange...
Read MorePosted by Aleks Sierz | 7th Jan 2020 | London, Review, United Kingdom
Family dramas are a staple of British new writing, but as well as talking about our nearest and...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Aleks Sierz | 23rd Oct 2019 | London, Review, Theatre and Politics, United Kingdom
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
Read MorePosted by Aleks Sierz | 22nd Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Identity politics have been around for decades. But it’s always good to revisit the subject....
Read MorePosted by Aleks Sierz | 21st Jun 2019 | London, Review, United Kingdom
I’ve always been a bit sad that so many contemporary classics are so rarely revived. I have even...
Read MorePosted by Aleks Sierz | 18th Jan 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
Long before Mark Ravenhill’s Shopping And Fucking, or Jonathan Harvey’s Beautiful Thing, Kevin...
Read MorePosted by Aleks Sierz | 12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
Read MorePosted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...
Read MorePosted by Aleks Sierz | 6th Jun 2018 | London, Playwriting, Review, United Kingdom
Winsome Pinnock has for decades been a central figure in the promotion of BAME drama not just as a...
Read MorePosted by Helen Rynne | 14th Mar 2018 | Interview, London, Management, United Kingdom
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
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Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 