Guilt And Resilience, And “The Fear Of 13”
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
Read MorePosted by Teodora Medeleanu | 3rd May 2026 | Acting, Adaptation, New York, Review, United States of America
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
Read MorePosted by Jonathan Kalb | 10th Apr 2026 | New York, Review, United States of America
Mark Rosenblatt’s new play Giant is a sensational, admirable, and courageous effort to Make...
Read MorePosted by Sariva Goetz | 11th Oct 2025 | Essay, Musical Theatre, Theatre and Gender, United States of America
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read MorePosted by Lisa Monde | 30th Dec 2024 | Dramaturgy, Interview, Musical Theatre, United States of America
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
Read MorePosted by Trevor Boffone | 18th Jun 2024 | Musical Theatre, United States of America
Does Stephen Sondheim make you want to throw ass? Does the score of Sunday in the Park with George...
Read MorePosted by Christina Stanton | 19th May 2024 | Musical Theatre, Review, United States of America
Most historic dates and events fade from view after a few years, especially as witnesses age and...
Read MorePosted by Trevor Boffone | 10th Feb 2024 | Theatre and Gender, Theatre and Politics, United States of America
Every day is a cunty day for Bekah Walsh. The Baltimore-based theatre nerd turned prolific...
Read MorePosted by Morgan Skolnik | 3rd Feb 2024 | New York, Review, Theatre and Disability, United States of America
On Monday How to Dance in Ohio, one of the most hyped shows of the 2023 Broadway fall season,...
Read MorePosted by Morgan Skolnik | 1st Sep 2023 | Musical Theatre, New York, Review
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
Read MorePosted by Molly Grogan Zolima CityMag | 10th Jul 2023 | Directing, Essay, Hong Kong, Musical Theatre
Some performers were born to be on Broadway, and Eugene Ma could easily be among them: The...
Read MorePosted by Walter Byongsok Chon | 4th Jun 2023 | Musical Theatre, New York, Review, South Korea, Transcultural Collaborations
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
Read MorePosted by Lisa Monde | 8th May 2023 | Essay, Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America
Dedicated to the 40th anniversary of the first publication of the play by Jean Poiret La Cage Aux...
Read MorePosted by Trevor Boffone | 15th Mar 2023 | Interview, Musical Theatre, United States of America
Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...
Read MorePosted by Lisa Monde | 17th Feb 2023 | Interview, Musical Theatre, New York, Producing, United States of America
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
Read MorePosted by Kate Dossett | 1st Feb 2023 | Essay, Theatre and Decolonization, Theatre and Politics, United Kingdom
In an age of so-called “cancel culture” it’s important to remember that for much of British...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ+ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Lisa Monde | 19th Dec 2022 | Adaptation, Musical Theatre, New York, Review, United States of America
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
Read MorePosted by Alexander Fatouros | 23rd Aug 2022 | Chicago, Musical Theatre, News, Playwriting, United States of America
American playwright and concert pianist, William Robert Martin, is an emerging artist whose star...
Read MorePosted by Lisa Monde | 27th Jul 2022 | France, Musical Theatre, New York, Review, United States of America
At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...
Read MorePosted by The Theatre Times | 14th May 2022 | Festivals, Interview, New York, Theatre and Disability, United States of America
Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026