An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
Read MorePosted by William Peterson | 5th Apr 2022 | Australia, LGBTQ+ Theatre, Musical Theatre, Review
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
Read MorePosted by William Peterson | 5th Nov 2019 | Australia, Review, Theatre and Dance
Vessel. 26-27 October 2019. OzAsia Festival, Adelaide, Australia. Now in its twelfth year,...
Read MorePosted by Melanie Walters | 31st Oct 2019 | Australia, Musical Theatre, Review
Review: XXX Neon Sign, composed by Dan Thorpe, Rumpus Theatre. More than perhaps any other...
Read MorePosted by William Peterson | 10th Nov 2018 | France, Review, Syria, Theatre and Politics
Review: While I Was Waiting, OzAsia Festival. Unrest breaks out in a proud and ancient city, its...
Read MorePosted by Lisa Harper Campbell | 11th Oct 2018 | Australia, Review
Performance group House of Sand, in collaboration with the State Theatre Company of South...
Read MorePosted by Julian Meyrick | 19th Mar 2018 | Adaptation, Australia, Festivals, Review
Arthur Danto, in his Analytic Philosophy of History, calls the common noun “scar” a...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026 
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026