Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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Covid-19
The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
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To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?
This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
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The Pandemic Nearly Killed Theatre — The Creative Way It Fought Back Could Leave It Stronger
When the UK went into lockdown in 2020, its multibillion-pound theatre industry could have ceased...
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Kennedy Center Dramaturgy Intensive 2021 Retrospective
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
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Theatre Audience Etiquette and Norms Have Always Shifted with the Times
Face masks, plexiglass dividers, proof of vaccine and photo ID and strict seating assignments:...
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Outside Theatre: Why It Mustn’t Stop After the Pandemic
Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows...
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“The Blue Piano/The Blue Guitar”: Review
THE BLUE PIANO/THE BLUE GUITAR. Director: Fred Abrahamse. Cast: Matthew Baldwin, Zoë McLaughlin...
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“Lockup/Lockdown” with PDU: Review
I’ve totally enjoyed the many faces of Pieter-Dirk Uys over the years – from his most famous...
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COVID—Brevis, Ars—Longa
It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...
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Friday Essay: A World of Pain – Australian Theatre in Crisis
Australia’s performing arts sector has long been recognized as an ecosystem. It is a community of...
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Kerala-based Rangachetana Theatre Group Initiates a Unique Project to Help Artists in Need
The Thrissur-based collective has been organizing performances in the homes of artists and...
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How Indonesian Young Creative Workers in Yogyakarta Stay Productive Amid the Pandemic
Danastri Rizqi Nabilah, a filmmaker from Yogyakarta – a city in Indonesia known for its education...
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28th Aspendos Opera Ballet Fest to Start with Murat IV Opera
The 28th iteration of the International Aspendos Opera and Ballet Festival will kick off with the...
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“Hamlet”: A Play That Speaks to Pandemics Past and Present
I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...
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Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic
Now in its 23rd year, JOMBA! is a contemporary dance festival housed at the University of...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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