Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the venerated Comédie-Française troupe in tow to present The Damned. The production is an adaptation…
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…opportunity to touch the very first version of Molière’s text, becoming spectators of Ivo van Hove’s performance at the Comédie Française, Molière’s home. Of course, this is not quite the…
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…she had intended. In 2022 she took part in many performances at the Rallye Moi(s) Theatre festival at Antananarivo’s Ivokolo Analakely Malagasy Cultural Centre. Even though they self-produce each show,…
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…Soul, it will be echoed by the language of overcoming censorship in Ivo van Hove’s production of the Three-act version, censored by Louis XIV Tartuffe or the Hypocrite by Molière,…
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…in the financial hub that is the economic capital of Côte d’Ivoire, embraces an expressly commercial function; since its first edition in 1993, the event has provided artists with the…
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…work evokes that seen on bigger stages, most notably the recent production of The Damned by Ivo van Hove at Manhattan’s Armory over the summer. Kate McGee’s atmospheric lighting design…
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…makers, composers and performers made it their specialty and were invited with their projects all over the world. Famous names like Ivo Van Hove or Alain Platel made a lot…
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…over the years in auteur theater directors, from Meyerhold to Brook to Andre Șerban to Ivo Van Hove and on to Thomas Ostermeier. I was primarily interested in two aspects…
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…Salomão. The influence of Pinter and Shepard on the script is evident, though the directorial style, with echoes of Ivo van Hove, makes it feel distinctly contemporary. At over two…
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…Optics of Art” symposium. It brought contemporary media and performance artists Benjamin Vandewalle, Julien Maire, and Sarah Vanagt into dialogue with scholars from theatre studies, history of science, and cognitive…
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Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we are safe because we keep silent. On 27 July a small group…
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In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the Earth, took place at the Teatro EDP Gran Vía in Madrid. The…
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…historical moment. MITEM 2026 opens with Richard III, directed by István Albu and presented by the Satu Mare Northern Theatre’s György Harag Company in Romania, and closes with III. Richard,…
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…– as symbols of consumer society and as representatives of consumerism in their gardens. The title of the novel by Jurica Pavičić, as well as the dramatization by Ivor Martinić,…
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…similar to the Catholic one. She names women through a megaphone: (…) Antonina, Ivory Tower/Monika Ivory Tower/My name is Monika/I AM THE BORDER/My body is the border. Then she undresses,…
Read More![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the solemnity of the AI biometric cinematic opera “Language Is Leaving Me” with its themes of…
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An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA – Marché des Arts du Spectacle Africain d’Abidjan, Ivory Coast /Republic of Côte d’Ivoire, Africa…
Read MoreEllen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. I: Visual AI is at the heart of this piece, almost like…
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…actorly vanity and insecurity up against the quirky vanities and insecurities of Chekhov’s characters and holds the result up to us as a fabulously silly mirror that’s also profoundly illuminating….
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…of French republicanism. In this, her approach aligns with that of the French-Ivorian scholar Maboula Soumahoro who, in her essay on race in France, Le Triangle et l’Hexagone: Réflexions sur…
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From Richard To Richard: MITEM 2026 And a Europe in… 14th April 2026 
David Yazbek: The Master of Adapting Films into… 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… 14th April 2026 
